Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 13
... evidence , and perhaps none of it is more striking than his ' statue scene ' in The Winter's Tale . In the evening quiet of a torchlit chapel , a statue of Hermione begins suddenly to move , as Shakespeare accom- plishes the crucial ...
... evidence , and perhaps none of it is more striking than his ' statue scene ' in The Winter's Tale . In the evening quiet of a torchlit chapel , a statue of Hermione begins suddenly to move , as Shakespeare accom- plishes the crucial ...
Page 15
... Evidence of Romano's capricious artistic spirit is thus more widespread in his execution of the building than even the fact of the fake architectural niches , mentioned above , suggests . For Vasari , Romano's skill in the art of ...
... Evidence of Romano's capricious artistic spirit is thus more widespread in his execution of the building than even the fact of the fake architectural niches , mentioned above , suggests . For Vasari , Romano's skill in the art of ...
Page 149
... evidence of regen- eration through natural influences precipitates the appropriate forgive- ness and repentance back at court . The King who once banished his son - in - law and imprisoned his daughter at 1.1.8 of Cymbeline says ' Par ...
... evidence of regen- eration through natural influences precipitates the appropriate forgive- ness and repentance back at court . The King who once banished his son - in - law and imprisoned his daughter at 1.1.8 of Cymbeline says ' Par ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's