Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 44
... earlier comedies such as Errors , then , supernatural forces are actually at work in the Late Plays rather than ... earlier play . Further , when the supernatural does intervene in the earlier Midsummer Night's Dream , the - magical ...
... earlier comedies such as Errors , then , supernatural forces are actually at work in the Late Plays rather than ... earlier play . Further , when the supernatural does intervene in the earlier Midsummer Night's Dream , the - magical ...
Page 110
... earlier Titus Andronicus , for example , when Marcus takes forty - six lines to describe to himself and to the audience what both can see very well is the mutilated body of Lavinia ( II.iv.11-57 ) .1 Gone also is the luxuriant ...
... earlier Titus Andronicus , for example , when Marcus takes forty - six lines to describe to himself and to the audience what both can see very well is the mutilated body of Lavinia ( II.iv.11-57 ) .1 Gone also is the luxuriant ...
Page 178
... earlier plays by the degree to which they now emphasize the consciously theatrical and deliberately artificial . The dis- tinction between an action and the illusion created by that action now begins to blur as the confounding of ...
... earlier plays by the degree to which they now emphasize the consciously theatrical and deliberately artificial . The dis- tinction between an action and the illusion created by that action now begins to blur as the confounding of ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's