Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 133
... death . Scarus says that Antony Is valiant , and dejected , and by starts His fretted fortunes give him hope and fear Of what he has , and has not . IV.xii.7-9 This is an Antony who weeps alike over the death of Brutus and over the death ...
... death . Scarus says that Antony Is valiant , and dejected , and by starts His fretted fortunes give him hope and fear Of what he has , and has not . IV.xii.7-9 This is an Antony who weeps alike over the death of Brutus and over the death ...
Page 143
... death has led to a renewal of sorts , for as Antigonus ' pleading and death allow Perdita to escape from death at the hands of Leontes , so Mamillius ' death causes Leontes ' repentance as a kind of spiritual renewal . Paulina's ...
... death has led to a renewal of sorts , for as Antigonus ' pleading and death allow Perdita to escape from death at the hands of Leontes , so Mamillius ' death causes Leontes ' repentance as a kind of spiritual renewal . Paulina's ...
Page 148
... death , as much an incidence of recovery as an instrument of loss . Thus as we begin to see death in the Romances as part of a natural cycle of renewal , death becomes both an incidental detail in the overall pattern of existence and a ...
... death , as much an incidence of recovery as an instrument of loss . Thus as we begin to see death in the Romances as part of a natural cycle of renewal , death becomes both an incidental detail in the overall pattern of existence and a ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's