Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
From inside the book
Results 1-3 of 4
Page 20
... : My true love hath my heart , and I have his By just exchange , one for the other given ; I hold his dear , and mine he cannot miss ; There never was a better bargain driven . His heart 20 / ' Artificial strife livelier than life '
... : My true love hath my heart , and I have his By just exchange , one for the other given ; I hold his dear , and mine he cannot miss ; There never was a better bargain driven . His heart 20 / ' Artificial strife livelier than life '
Page 60
... dear soul kills . ... Beneath God , naught's so dear as a calm heart . or this couplet in act v : For no disastrous chance can ever move him 1.iii.158-72 That leaveth nothing but a God above him . v.iv.93–4 Still others are Montaigne ...
... dear soul kills . ... Beneath God , naught's so dear as a calm heart . or this couplet in act v : For no disastrous chance can ever move him 1.iii.158-72 That leaveth nothing but a God above him . v.iv.93–4 Still others are Montaigne ...
Page 110
... dear lord , Thou art one o ' th ' false ones . Now I think on thee My hunger's gone , but even before , I was At point to sink for food . But what is this ? Here is a path to't . ' Tis some savage hold . I were best not call ; I dare ...
... dear lord , Thou art one o ' th ' false ones . Now I think on thee My hunger's gone , but even before , I was At point to sink for food . But what is this ? Here is a path to't . ' Tis some savage hold . I were best not call ; I dare ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's