Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 44
... contrast , is in the service of a more deeply resonant , more passionately immediate spiritual vision . '62 Illusory awareness in the post - 1608 romances is more simply para- doxical : the plays themselves become to some extent ...
... contrast , is in the service of a more deeply resonant , more passionately immediate spiritual vision . '62 Illusory awareness in the post - 1608 romances is more simply para- doxical : the plays themselves become to some extent ...
Page 120
... contrast in the degree of artificiality between the disguised Vincentio and the disguised Altofronto is heightened by Malevole's tendency to remind us of his disguise through his continual verbal posturing , while Shakespeare's Duke ...
... contrast in the degree of artificiality between the disguised Vincentio and the disguised Altofronto is heightened by Malevole's tendency to remind us of his disguise through his continual verbal posturing , while Shakespeare's Duke ...
Page 121
... contrast in the two plays can be made with regard to the overall level of artificiality cultivated by each dramatist . The more overt the artifice , the greater the effect of heightened paradox , of simultaneous contraries , of aspects ...
... contrast in the two plays can be made with regard to the overall level of artificiality cultivated by each dramatist . The more overt the artifice , the greater the effect of heightened paradox , of simultaneous contraries , of aspects ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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