Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 44
... characters in the play but extended to us in the audience as well , is an aspect of the play's ' open ' form that I will discuss at greater length in chapter 3. ) Characters within the plays deal with further problems : Ariel's banquet ...
... characters in the play but extended to us in the audience as well , is an aspect of the play's ' open ' form that I will discuss at greater length in chapter 3. ) Characters within the plays deal with further problems : Ariel's banquet ...
Page 88
... characters , characters who view the action of the play as a kind of audience on stage . Compared to choric figures , frame - plot characters have something of a more independent existence in relation to the main action . While choric ...
... characters , characters who view the action of the play as a kind of audience on stage . Compared to choric figures , frame - plot characters have something of a more independent existence in relation to the main action . While choric ...
Page 141
... characters , shifting points of view , and ostensible dilemmas . Waith comments : The consistency of ... character is sacrificed to the undeniable effectiveness of a situation . The character of Arbaces not only is a paradoxical ...
... characters , shifting points of view , and ostensible dilemmas . Waith comments : The consistency of ... character is sacrificed to the undeniable effectiveness of a situation . The character of Arbaces not only is a paradoxical ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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