Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 63
... audience has the sense of the choric figures ' offering Jonson's own defence for the handling of the drama – one particular exchange in act II in fact suggests this very thing : - MITIS Nay , you are better traded with these things than ...
... audience has the sense of the choric figures ' offering Jonson's own defence for the handling of the drama – one particular exchange in act II in fact suggests this very thing : - MITIS Nay , you are better traded with these things than ...
Page 88
... audience . Also , like the sometimes silent Thersites in v.ii of Troilus and Cressida , the stage audience can allow the real audience a double view of the stage action merely by its presence at the side of the stage or on the upper ...
... audience . Also , like the sometimes silent Thersites in v.ii of Troilus and Cressida , the stage audience can allow the real audience a double view of the stage action merely by its presence at the side of the stage or on the upper ...
Page 136
... audience make clear his delight at meeting with failure in the first case ( 11.1.41–8 ) and his disappointment with his success in the second ( 11.1.105ff ) . When Vindice later wrings a confession from his mother , she takes the irony ...
... audience make clear his delight at meeting with failure in the first case ( 11.1.41–8 ) and his disappointment with his success in the second ( 11.1.105ff ) . When Vindice later wrings a confession from his mother , she takes the irony ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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