Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 20
... aspect , Oliver exploits the use of darker tones and facial shadowing to render the sitter in a more realistic likeness and psychological aspect . In response , Hilliard seems to have embraced mannerist art theory , as his quoting of ...
... aspect , Oliver exploits the use of darker tones and facial shadowing to render the sitter in a more realistic likeness and psychological aspect . In response , Hilliard seems to have embraced mannerist art theory , as his quoting of ...
Page 30
Mannerism in Shakespeare and His Jacobean Contemporaries John Philip Peter Greenwood. are an aspect of the painting's grazia , or grace , another of Vasari's terms used to describe that aspect of beauty that cannot be determined by ...
Mannerism in Shakespeare and His Jacobean Contemporaries John Philip Peter Greenwood. are an aspect of the painting's grazia , or grace , another of Vasari's terms used to describe that aspect of beauty that cannot be determined by ...
Page 131
... aspects of character and role clash in the representation given the hero's chief rival , Malcolm , in a strange scene in ... aspect of the scene from the point of view of the mannerist Shakespeare is the effective ( and ultimately false ) ...
... aspects of character and role clash in the representation given the hero's chief rival , Malcolm , in a strange scene in ... aspect of the scene from the point of view of the mannerist Shakespeare is the effective ( and ultimately false ) ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
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