Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
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Page 80
... asides helps suggest the larger reality of evil in the play as the Sprecher device in Jonson's hands becomes a didactic tool . In Shakespeare's Antony and Cleopatra , several Sprecher figures , chief among them Enobarbus , offer ...
... asides helps suggest the larger reality of evil in the play as the Sprecher device in Jonson's hands becomes a didactic tool . In Shakespeare's Antony and Cleopatra , several Sprecher figures , chief among them Enobarbus , offer ...
Page 94
... asides of the Second Lord act as a screen or filter through which we perceive Cloten , none of what the Second Lord says causes us to substantially modify our view of Cloten as a disreputable character . Nevertheless , the continual asides ...
... asides of the Second Lord act as a screen or filter through which we perceive Cloten , none of what the Second Lord says causes us to substantially modify our view of Cloten as a disreputable character . Nevertheless , the continual asides ...
Page 95
... asides in A King and No King , for instance , can be seen to exaggerate markedly the impressions of Arbaces that we gather from him directly . In the opening scene , Mardonius ' asides puncture the vainglorious illusion that the King's ...
... asides in A King and No King , for instance , can be seen to exaggerate markedly the impressions of Arbaces that we gather from him directly . In the opening scene , Mardonius ' asides puncture the vainglorious illusion that the King's ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
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Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's