Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 pages |
From inside the book
Results 1-3 of 55
Page 16
... Italy and many of the English Elizabethans who returned home from their Italian exile under Mary were sufficiently versed in Italian culture to have known of him . Further , many English italianati pursued suc- cessful court careers ...
... Italy and many of the English Elizabethans who returned home from their Italian exile under Mary were sufficiently versed in Italian culture to have known of him . Further , many English italianati pursued suc- cessful court careers ...
Page 35
... Italy by 1600 , and the basis for continuous contact between those responsible for artistic developments in both countries was established by the English visits of a number of Italian artists in the sixteenth century . Among them were ...
... Italy by 1600 , and the basis for continuous contact between those responsible for artistic developments in both countries was established by the English visits of a number of Italian artists in the sixteenth century . Among them were ...
Page 191
... Italy before 1603 and , what is immensely significant for our pur- pose , had come in close contact with Italian art and had learned to draw ' ( p 112 ) . Akrigg also says that ' Jones had spent his early years in Italy , probably under ...
... Italy before 1603 and , what is immensely significant for our pur- pose , had come in close contact with Italian art and had learned to draw ' ( p 112 ) . Akrigg also says that ' Jones had spent his early years in Italy , probably under ...
Contents
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Copyright | |
5 other sections not shown
Common terms and phrases
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's