Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean Contemporaries

action actor allow Antony appears artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand heart Hermione hero illusion imagination instance interest involving Italian Italy Jacobean John Jones kind King later Leontes less Lives look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective play play's playwright plot present reality refers relation relationship remarkable remind Renaissance result reveals revenge role romance satirical says scene seems sense Shakespeare's shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns vision Winter's