Johnson on Shakespeare: Essays and NotesH. Frowde, 1908 - 206 pages |
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Page vi
... Henry V • · The First Part of King Henry VI The Second Part of King Henry VI . The Third Part of King Henry VI . • The Life and Death of King Richard III . The Life of King Henry VIII . King Lear . Timon of Athens Titus Andronicus ...
... Henry V • · The First Part of King Henry VI The Second Part of King Henry VI . The Third Part of King Henry VI . • The Life and Death of King Richard III . The Life of King Henry VIII . King Lear . Timon of Athens Titus Andronicus ...
Page 102
... Henry the fourth a law was made to forbid all men thenceforth to multiply gold , or use any craft of multiplication . Of which law Mr. Boyle , when he was warm with the hope of transmutation , procured a repeal . ACT V. SCENE Vi . ( v ...
... Henry the fourth a law was made to forbid all men thenceforth to multiply gold , or use any craft of multiplication . Of which law Mr. Boyle , when he was warm with the hope of transmutation , procured a repeal . ACT V. SCENE Vi . ( v ...
Page 129
... Henry V. ACT III . SCENE iii . ( 1. ii . 82 foll . ) It were to be wished ... vi . ( 111. v . 40 foll . ) Charles Delabreth , high constable of France ... vi . ( III . v . 50–2 . ) Rush on his bost , as doth the melted snow Upon the ...
... Henry V. ACT III . SCENE iii . ( 1. ii . 82 foll . ) It were to be wished ... vi . ( 111. v . 40 foll . ) Charles Delabreth , high constable of France ... vi . ( III . v . 50–2 . ) Rush on his bost , as doth the melted snow Upon the ...
Page 130
... vi . 114–15 . ) FLUELLEN . His nose is executed , and bis fire's out . This is the last time that any sport can be made with the red face of Bardolph , which , to confess the truth , seems to have taken more hold on Shakespeare's ...
... vi . 114–15 . ) FLUELLEN . His nose is executed , and bis fire's out . This is the last time that any sport can be made with the red face of Bardolph , which , to confess the truth , seems to have taken more hold on Shakespeare's ...
Page 133
... Henry . The humour of Pistol is very happily continued ; his character has perhaps been the model of all the bullies that have yet appeared on the English stage . The lines given to the chorus have many ... HENRY VI . ACT HENRY V 133.
... Henry . The humour of Pistol is very happily continued ; his character has perhaps been the model of all the bullies that have yet appeared on the English stage . The lines given to the chorus have many ... HENRY VI . ACT HENRY V 133.
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action allusions ancient Atalanta audience authour balves beauty Boswell Caliban censure character comedy comick common conjecture considered copies corrupt criticism criticks delight dialogue diction dignity diligence discover doth drama dramatick easily edition editor elegance emendation endeavoured English Euripides excellence exhibited expression Falstaff faults foll genius Guy of Warwick Hamlet Henry VI honour HORACE HART human imagination imitation incidents Johnson KING HENRY knowledge labour language learned Macbeth meaning merriment mind nature never notes numbers obscure observed opinion Othello passages passions perform perhaps Plautus play pleasure poet Pope praise prince produce publick reader reason remarks Richard ridicule says SCENE iv SCENE viii seems sense sentiment Shakespeare Shakespeare's editors shew sometimes speech stage story sufficient suppose Tatler testimony of equal Theobald things thou thought tion tragedy truth virtue Voltaire Warburton William Shakespeare words writers
Popular passages
Page 11 - Nothing can please many, and please long, but just representations of general nature. Particular manners can be known to few, and therefore few only can judge how nearly they are copied. The irregular combinations of fanciful invention may delight awhile, by that novelty of which the common satiety of life sends us all in quest; but the pleasures of sudden wonder are soon exhausted, and the mind can only repose on the stability of truth.
Page 28 - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves, unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more.
Page 14 - This therefore is the praise of Shakespeare, that his drama is the mirror of life ; that he who has mazed his imagination, in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies, by reading human sentiments in human language ; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
Page 15 - Shakespeare's plays are not in the rigorous and critical sense either tragedies or comedies, but compositions of a distinct kind; exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination ; and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveller is hasting to his wine, and the mourner burying his friend...
Page 62 - To begin, then, with Shakespeare. He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul. All the images of Nature were still present to him, and he drew them, not laboriously, but luckily; when he describes any thing, you more than see it, you feel it too.
Page 13 - The theatre, when it is under any other direction, is peopled by such characters as were never seen, conversing in a language which was never heard, upon topics which will never arise in the commerce of mankind. But the dialogue of this author is often so evidently determined by the incident which produces it, and is pursued with so much ease and simplicity that it seems scarcely to claim the merit of fiction, but to have been gleaned by diligent selection out of common conversation, and common occurrences.
Page 11 - Shakespeare is above all writers, at least above all modern writers, the poet of Nature; the poet that holds up to his readers a faithful mirror of manners and of life.
Page 62 - ... you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was naturally learned; he needed not the spectacles of books to read nature; he looked inwards and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He is many times flat, insipid, his comic wit degenerating into clenches, his serious swelling into bombast But he is always great when some great...
Page 19 - The force of his comic scenes has suffered little diminution from the changes made by a century and a half, in manners or in words. As his personages act upon principles arising from genuine passion, very little modified by particular forms, their pleasures and vexations are communicable to all times and to all places ; they are natural, and therefore durable...
Page 171 - All things are hush'd as Nature's self lay dead, " The mountains seem to nod their drowsy head; " The little birds in dreams their songs repeat, " And sleeping flow'rs beneath the night dews sweat.