Sec. Cit. Most noble Cæsar! We'll revenge his death. Third Cit. O royal Cæsar! Ant. Hear me with patience. All. Peace, ho! Ant. Moreover, he hath left you all his walks, Here was a Cæsar! when comes such another? And with the brands fire the traitors' houses. Sec. Cit. Go fetch fire. Third Cit. Pluck down benches. Fourth Cit. Pluck down forms, windows, any thing. [Exeunt Citizens with the body. Ant. Now let it work. Mischief, thou art afoot, Take thou what course thou wilt! Enter a Servant. How now, fellow! Serv. Sir, Octavius is already come to Rome. Serv. He and Lepidus are at Cæsar's house. He comes upon a wish. 253. orchards, gardens. 254. On this side Tiber. So North. The gardens were in fact on the opposite (i.e. right) bank, near Janiculum. (Cf. Horace's Trans Tiberim longe cubat is, prope Cæsaris hortos'). Fortune is merry, 250 260 270 Theobald needlessly proposed to read on that side. 255. pleasures, pleasaunces, pleasure-grounds. 256. To walk abroad, to walk about (in). Serv. I heard him say, Brutus and Cassius Are rid like madmen through the gates of Rome. Ant. Belike they had some notice of the people, How I had moved them. Bring me to Octavius. [Exeunt. SCENE III. A street. Enter CINNA the poet. Cin. I dreamt to-night that I did feast with Cæsar, And things unluckily charge my fantasy: Enter Citizens. First Cit. What is your name? Fourth Cit. Are you a married man or a bachelor? Sec. Cit. Answer every man directly. First Cit. Ay, and briefly. Fourth Cit. Ay, and wisely. Third Cit. Ay, and truly, you were best. I Cin. What is my name? Whither am going? Where do I dwell? Am I a married man or a bachelor? Then, to answer every man directly and briefly, wisely and truly: wisely I say, I am a bachelor. Sec. Cit. That's as much as to say, they are ΤΟ means that he is conscious his fancies are of ill omen. G fools that marry: you'll bear me a bang for that, Proceed; directly. I fear. Cin. Directly, I am going to Cæsar's funeral. Cin. As a friend. Sec. Cit. That matter is answered directly. Cin. Briefly, I dwell by the Capitol. Cin. Truly, my name is Cinna. 20 First Cit. Tear him to pieces; he's a con- 30 spirator. Cin. I am Cinna the poet, I am Cinna the poet. Fourth Cit. Tear him for his bad verses, tear him for his bad verses. Cin. I am not Cinna the conspirator. Fourth Cit. It is no matter, his name 's Cinna; pluck but his name out of his heart, and turn him going. Third Cit. Tear him, tear him! Come, 40 brands, ho! fire-brands: to Brutus', to Cassius'; burn all some to Decius' house, and some to : Casca's; some to Ligarius': away, go! [Exeunt. 20. bear me a bang, come in for a blow from me. ACT IV. SCENE I. A house in Rome. ANTONY, OCTAVIUS, and LEPIDUS, seated at a Ant. These many, then, shall die; their names Oct. Your brother too must die; consent you, Lep. I do consent Oct. Prick him down, Antony. Lep. Upon condition Publius shall not live, Who is your sister's son, Mark Antony. Ant. He shall not live; look, with a spot I damn him. But, Lepidus, go you to Cæsar's house; Fetch the will hither, and we shall determine How to cut off some charge in legacies. Lep. What, shall I find you here? Oct. Or here, or at the Capitol. [Exit Lepidus. Meet to be sent on errands: is it fit, The three-fold world divided, he should stand Oct. Ant. Octavius, I have seen more days than you: Scene 1. A house in Rome. The original stage direction indicates no place. Plutarch describes the meeting of the ΙΟ triumvirs as 'in an island environed about with a little river.' But Shakespeare evidently intended it to be in Rome. And though we lay these honours on this man, Oct. You may do your will; But he's a tried and valiant soldier. Ant. So is my horse, Octavius, and for that I do appoint him store of provender : It is a creature that I teach to fight, To wind, to stop, to run directly on, And, in some taste, is Lepidus but so; He must be taught, and train'd, and bid go forth; On abject orts and imitations, Which, out of use and staled by other men, Are levying powers: we must straight make head: Our best friends made, our means stretch'd; 32. wind, turn. ib. directly, straight. 34. in some taste, in some degree. 37. abject orts; cast-away scraps. Theobald's emendation of Ff' objects, arts.' The close connexion of the notions of 'abject' and 'ort,' compared with 'imitations,' makes this preferable to Staunton's 'abjects, 30 40 |