English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 pages |
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Page 97
... rhyme , as I find in the writings of those who have argued for the other way . First then , I am of opinion , that rhyme is unnatural in a play , because dialogue there is presented as the effect of sudden thought : for a play is the ...
... rhyme , as I find in the writings of those who have argued for the other way . First then , I am of opinion , that rhyme is unnatural in a play , because dialogue there is presented as the effect of sudden thought : for a play is the ...
Page 100
... rhyme , to conclude against the use of it in general . May not I conclude against blank verse by the same reason ? If the words of some poets who write in it , are either 1935 ill chosen , or ill placed , which makes not only rhyme ...
... rhyme , to conclude against the use of it in general . May not I conclude against blank verse by the same reason ? If the words of some poets who write in it , are either 1935 ill chosen , or ill placed , which makes not only rhyme ...
Page 101
... rhyme . Therefore you concluded , that which is nearest nature is still to be preferred . But you took no notice that rhyme might be made as natural as blank verse , by the well 1985 placing of the words , & c . All the difference ...
... rhyme . Therefore you concluded , that which is nearest nature is still to be preferred . But you took no notice that rhyme might be made as natural as blank verse , by the well 1985 placing of the words , & c . All the difference ...
Contents
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Copyright | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write