English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 pages |
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Page 85
... observe one irregularity of that great poet ; he has removed the scene in the same act from Rome to Catiline's army , and ... observed by every judicious writer , so as the audience may neither be left unsatisfied by not seeing what is ...
... observe one irregularity of that great poet ; he has removed the scene in the same act from Rome to Catiline's army , and ... observed by every judicious writer , so as the audience may neither be left unsatisfied by not seeing what is ...
Page 94
... observed : 1705 Creditur , ex medio quia res arcessit , habere Sudoris minimum ; sed habet Comedia tanto Plus oneris ... observation by a 1725 pleasant description of it before the person first appears . Thus , in Bartholomew Fair he ...
... observed : 1705 Creditur , ex medio quia res arcessit , habere Sudoris minimum ; sed habet Comedia tanto Plus oneris ... observation by a 1725 pleasant description of it before the person first appears . Thus , in Bartholomew Fair he ...
Page 101
... observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those barbarians , who knew not the rules of it , neither was it suitable to their tongues , as it had been to the Greek and ...
... observation of accent , supplying the place of quantity in words , which could neither exactly be observed by those barbarians , who knew not the rules of it , neither was it suitable to their tongues , as it had been to the Greek and ...
Contents
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Copyright | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write