English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 pages |
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Page 182
... hand . ' Immediately under these lines let us place one of the most justly - admired stanzas of the ' Babes in the Wood . ' " These pretty Babes with hand in hand Went wandering up and down ; But never more they saw the Man Approaching ...
... hand . ' Immediately under these lines let us place one of the most justly - admired stanzas of the ' Babes in the Wood . ' " These pretty Babes with hand in hand Went wandering up and down ; But never more they saw the Man Approaching ...
Page 195
... hand , to a series of striking lines or distiches , each of which , absorbing the whole attention of the reader to itself , disjoins it from its context , and makes it a separate whole , instead of a harmoniz- 185 ing part ; and on the ...
... hand , to a series of striking lines or distiches , each of which , absorbing the whole attention of the reader to itself , disjoins it from its context , and makes it a separate whole , instead of a harmoniz- 185 ing part ; and on the ...
Page 286
... hand , as it so cleverly writes these words , and decide that it is a mere nothing compared to the mind that directs it ? Is there really any huge difference between my hand and my brain ? 10 Or my mind ? My hand is alive , it flickers ...
... hand , as it so cleverly writes these words , and decide that it is a mere nothing compared to the mind that directs it ? Is there really any huge difference between my hand and my brain ? 10 Or my mind ? My hand is alive , it flickers ...
Contents
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Copyright | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write