English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 pages |
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Page 164
... feelings co - exist in a state of greater simplicity , and , conse- quently , may be more accurately contemplated , and more forcibly communicated ; because the manners of rural life germinate from those elementary feelings , and , from ...
... feelings co - exist in a state of greater simplicity , and , conse- quently , may be more accurately contemplated , and more forcibly communicated ; because the manners of rural life germinate from those elementary feelings , and , from ...
Page 165
... feelings , is a more permanent , and a far more philosophical language , than that which is frequently substituted ... feelings , that my descriptions of such objects as strongly excite those feelings , will be found to carry along with ...
... feelings , is a more permanent , and a far more philosophical language , than that which is frequently substituted ... feelings , that my descriptions of such objects as strongly excite those feelings , will be found to carry along with ...
Page 181
... feelings , even of the ludicrous , may be given to my Readers by expressions which appeared to me tender and ... feelings altered , this cannot be done without great injury to himself : for his own 755 feelings are his stay and support ...
... feelings , even of the ludicrous , may be given to my Readers by expressions which appeared to me tender and ... feelings altered , this cannot be done without great injury to himself : for his own 755 feelings are his stay and support ...
Contents
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Copyright | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write