English Critical Texts: 16th Century to 20th CenturyDennis Joseph Enright, Ernst De Chickera Oxford University Press, 1962 - 398 pages |
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Page 41
... begin with telling where he is , or else the tale will not be conceived . Now ye shall have three ladies walk to gather flowers , and then we must believe the 1465 stage to be a garden . By and by we hear news of shipwreck in the same ...
... begin with telling where he is , or else the tale will not be conceived . Now ye shall have three ladies walk to gather flowers , and then we must believe the 1465 stage to be a garden . By and by we hear news of shipwreck in the same ...
Page 277
... begin , as it is easy to begin , with cordial praise . When we find Chapman , the Elizabethan translator of 625 Homer , expressing himself in his preface thus : " Though truth in her very nakedness sits in so deep a pit , that from ...
... begin , as it is easy to begin , with cordial praise . When we find Chapman , the Elizabethan translator of 625 Homer , expressing himself in his preface thus : " Though truth in her very nakedness sits in so deep a pit , that from ...
Page 289
... begin to get my idea , why the novel is 125 supremely important , as a tremulation on the ether . Plato makes the perfect ideal being tremble in me . But that's only a bit of me . Perfection is only a bit , in the strange make - up of ...
... begin to get my idea , why the novel is 125 supremely important , as a tremulation on the ether . Plato makes the perfect ideal being tremble in me . But that's only a bit of me . Perfection is only a bit , in the strange make - up of ...
Contents
An Essay of Dramatic Poesy | 50 |
An Essay on Criticism III | 111 |
Preface to Shakespeare | 131 |
Copyright | |
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action admiration Aeneid alive ancient Aristotle beauty Ben Jonson better blank verse character Chaucer Cicero classics comedy composition Crites criticism D. H. LAWRENCE delight diction divine doth drama Dryden effect emotion English Euripides excellent express F. R. LEAVIS faults feelings French genius give Greek hath Homer honour Horace human humour imagination imitation Johnson judgement Keats Keats's kind knowledge language learning Lisideius living manner Metaphysical Poets metre metrical mind modern moral nature never object observed passions perfection perhaps persons philosopher Plato Plautus play pleasure plot Plutarch poem poesy poet poet's poetic poetry praise produced prose reader reason rhyme rules scenes sense Shakespeare Silent Woman soul speak spirit stage stanza style T. S. ELIOT things thought tion tragedy true truth unity Velleius Paterculus Virgil virtue words Wordsworth write