The acts commenced on this ball of earth : Whiles the big year, swoln with some other grief, Is thought with child by the stern tyrant war, That the blunt monster with uncounted heads, Among my household? Why is Rumour here? Who in a bloody field by Shrewsbury 6. tongues] Tongue Ff. 8. men] them Ff. 5 ΙΟ 15 20 13. Whiles] Whil'st Ff. 13. grief] griefes (or griefs) Ff. 16. surmises] Surmise Ff 2-4. 21. anatomize] anothomize Q; Anathomize Ff 1-3. 5. The... earth] Probably a metaphor from the theatre. Cf. The Return from Parnassus, 11. i : "earth the loath'd stage Whereon we act this feigned personage.' 13. swoln. grief] pregnant with some other cause of discomfort. 14. tyrant] cruel monster; cf. Much Ado, 1. i. 176. 15. And no . matter] whereas nothing of the kind is the case-an emphatic denial of the truth of the belief or surmise just recited. Jonson, A Tale of a Tub, iv. v, and Fletcher, Monsieur Thomas, Iv. iv: "he lay roaring out his leg was broken, And no such matter." Cf. Sonnets, lxxxvii. 14. 16. surmises] suspicions, as frequently. 17. of so... stop] of such plain construction in respect to its "ventages," by stop ping" which the sound is regulated, that it is easy to play upon. Cf. Hamlet, III. ii. 75, 76, 379-388, 18. the heads] Cf. Coriolanus, IV. i. 1, 2, and II. iii. 18: "the manyheaded multitude"; Dekker, The Guls Horn-booke: "The people is said to bee a beast of many heads"; Revenge for Honour, I. i: "this same manyheaded beast, the people." Blunt, dull-witted, as in Two Gentlemen of Verona, II. vi. 41. 19. still wavering] Pope read still-discordant-wavering. For the thought, cf. Richard II. 11. ii. 128: "the wavering commons," and 1 Henry VI. IV. i. 138. 20. what] why. So in 1. ii. 112 post. 21. anatomize] lay open to minute examination, describe minutely. Nashe, Pierce Pennilesse (McKerrow, I. 213): "In plays, all cożenages, all cunning drifts are most lively anatomized." 24. field Shrewsbury] Craig quotes a marginal comment in the British Museum copy of Fabyan's Chronicle: "a batteyl fyeld nere Shrewsbury, foughtyn in a field caled Hath beaten down young Hotspur and his troops, 25 To noise abroad that Harry Monmouth fell Under the wrath of noble Hotspur's sword, 30 And this worm-eaten hold of ragged stone, 35 Where Hotspur's father, old Northumberland, Than they have learn'd of me: from Rumour's tongues 28. so true] of truth Ff 2-4. 33. peasant towns] peasant-Townes Ff 1, 2; peasant-Towns F3; Peasant Towns F 4. 34. that] Ff. 35. worm-eaten hold] worme-eaten hole Q; Worm-eaten-Hole Ff. 37. crafty-sick] hyphen Pope. 39. me:] me, Q; Me. Ff. forts false] hyphen Ff. Exit.] exit Rumours. Q. Bole Fyeld." The field is named "Old 33. peasant] Used attributively, as as 35. hold] stronghold, Theobald's emendation for hole (Q) and -Hole (Ff). Steevens, in support of the emendation, cites 3 Henry VI. 1. ii. 52. 35. ragged] rough. So in Marlowe, Edward II. III. iii: "ragged stony walls," an allusion to the Tower of London; Fletcher, Valentinian, 1. iii: "like shells, Grow to the ragged walls"; 36. Where] When Q. 40. smooth com ACT I SCENE I.-The same. Enter LORD BARDOLPH. L. Bard. Who keeps the gate here, ho! Where is the earl? Port. What shall I say you are? Tell thou the earl That the Lord Bardolph doth attend him here. I. L. ACT I. SCENE I.] Pope; Scena Secunda. Ff. The same.] Capell. Enter Lord Bardolph.] Enter the Lord Bardolfe at one doore. Q; Enter Lord Bardolfe, and the Porter. Ff; Porter before the Gate; Enter Lord Bardolph. Capell. Bard.] L. Bar. Ff; Bard. Q (throughout the scene). 1. here] om. Ff 2-4. I. here, ho!] Ed.; here ho? Q; heere ho? F 1. 1. The Porter gate.] Cambridge Edd.; om. Q, Ff; Enter Porter. Dyce (ed. 1). ACT I. SCENE 1. = I. Who .. here, ho!] "Who" is here, I think, the indefinite (= "He who "), and not the interrogative pronoun, as is implied, for instance, by the punctuation, "Who keeps the gate here? ho!" (Oxford Shakespeare), and "Who keeps the gate here, ho?" (Cambridge Shakespeare). "Who keeps the gate is a periphrasis ( "Porter ") of a kind usual in calling to servants or others, in attendance but out of sight. Cf. 2 Henry VI. 1. iv. 82: "York... Who's within there, ho! Enter a Servingman." (Oxford Shakespeare); Henry VIII. v. ii. 2, 3: "Cran. Ho! Who waits there! ("there?" Oxford Shakespeare). Enter Keeper"; Massinger, The Roman Actor, III. ii: "Iphis. I must knock Within there, ho! something divine come forth. [Enter Latinus as a Porter]"; Jonson, Every Man in his Humour, Iv. viii; R. Steele, The Funeral (1701), II. iii: “Fardingale. No-who waits there-pray bring my ... ... ... lute out of the next room. Enter Servant, with a Lute." In Henry VIII. v. iii. 4, the "Keeper at the door" is doubtful whether Norfolk's question, "Who waits there?" is or is not the conventional call to the Doorkeeper, viz. "Who waits there!": "Nor. Who waits there? Keeper at the door. Without, my noble lords? Gar. Yes. Keep. My lord archbishop: And has done half-an-hour, to know your pleasures." Cf. also Beaumont and Fletcher, Maid's Tragedy, v. iii: "Lys. Summon him, Lord Cleon. Cleon. Ho, from the walls there!"; and Jack Straw (Hazlitt's Dodsley, v. 396): "Neighbours, you that keep the gates." 2. What] Who. So in King Lear, v. iii. 121; Othello, I. i. 94: " Bra. What are you? Rod. My name is Roderigo"; and Beaumont and Fletcher, Knight of the Burning Pestle, Iv. iii. O.E. hwat manna, where manna is gen. plur. depending upon hwat (= what of men, who?); Icel. hvað manna, who? Port. His lordship is walk'd forth into the orchard: L. Bard. 5 Enter NORTHUMBERLAND. Here comes the earl. [Exit Porter. North. What news, Lord Bardolph ? every minute now L. Bard. Noble earl, ΙΟ 15 20 6. Exit Porter.] 13. an God] and God Q; 6. Enter .] Enter the Earle Northumberland. Q. Dyce (ed. 1). 7. North.] Earle Q (passim). and heauen Ff. 21. follow'd] followed Q. 8. stratagem] deed of violence; cf. 3 Henry VI. II. v. 89; Jack Straw (Hazlitt's Dodsley, v. 395): "Affrighting so his heart with strong conceit Of some unhappy, grievous stratagem"; Arden of Feversham, III. iv: "A place well fitting such a stratageme" [i.e. a murder, described later as a massacar"]. 66 14. to the death] See note to 1 Henry IV. v. v. 14. For the article, cf. The Wit of a Woman (Malone Society Reprint), ix: "You are for the life, and he is for the death"; Dan. til Døden, till death; and Sw. lifvet är kort, life is short. 19. brawn] a boar fattened for the table, as in 1 Henry IV. 11. iv. 110. Cf. T. Nabbes, Totenham-Court, 1. ii; and the same author's The Springs Glory (Bullen, O.E.P., N.S., ii. 232): "every Brawne or hogge, either Christmas or thy selfe [Shrovetide] have demolisht." It has been suggested, however, that the comparison is with the flesh of the brawn when tightly rolled "into a round lump, like a bag-pudding,” a collar of brawn. Cf. also M. Coverdale, Psalms, CXIX. 70: "Their herte is as fat as brawne." 19. hulk] A large unwieldy person; an example of this use is given by New Eng. Dict. from the seventeenth century; and the sense is still extant in the Craven dialect. 21. follow'd]"followed up,” as in Henry V. II. iv. 68. 23. Cæsar's fortunes] An echo, possibly, of Kyd, Cornelia (Hazlitt's Dodsley, v. 206): "Cornelia. ... Our North. How is this derived? Saw you the field? came you from Shrewsbury? L. Bard. I spake with one, my lord, that came from thence, 25 Enter TRAVERS. L. Bard. My lord, I over-rode him on the way; More than he haply may retail from me. North. Now, Travers, what good tidings comes with you? Tra. My lord, Sir John Umfrevile turn'd me back 30 35 40 25. my lord,] (my L.) Ff. 27. render'd] rendred Q. 28. whom] who Q. 30. Enter Travers] enter Trauers. Q (against lines 25, 26); after line 32 Pope. 33. with] from Ff. 34. Sir] om. Ff 2-4. 36. hard] head F 1. is treated sometimes as a singular, and sometimes as a plural. Pope read tidings come. 37. forspent] exhausted, as in 3 Henry VI. II. iii. 1. Steevens quotes Sir A. Gorges' translation of Lucan's Pharsalia, vii: "crabbed sires forspent with age." For the intensive prefix for- (spelt also fore-, as here in Ff, Q [forespent, Q]), cf. "forwearied," in King John, II. i. 233, and "fordone" in Midsummer-Night's Dream, v. ii. 4. 38. breathe] rest, as frequently; the sense "exercise" is found in All's Well, II. iii. 272. Bloodied, smeared with blood, as in A Yorkshire Tragedy, 1. vii.: "One of his men all faint and bloudied!" i.e. his flesh torn by his master's spur; and ib. v. X. Cf. "unbloodied beak," in 2 Henry VI. III. ii. 193. For the formation " 'bloodied," cf. "tardied" in Winter's Tale, III. ii. 163, and "out-craftied" in Cymbeline, III. iv. 15. |