To gaze with admiration dumb breathless To fix his eyes, like orbs of marble, there! And let his soul luxuriate in despair. Posterity! Ah, what's a name to thee! What Raphael is, my Allan then shall be. As the writer of the present notice intends to publish in a separate form the poetical verses of Odoherty, with authentic portraits of his friends, it is not necessary to quote any more of these effusions now. The pleasantry of the Ensign was always harmless, and his very satire was both dart and balsam. He never condescended to personalities, except in one solitary instance, in a song, entitled, "The Young Man of the West," composed upon Mr James Grahame, the famous Anti-Malthusian philosopher. This song he used to sing with great humour, to the tune of "A Cobler there was, &c." but though frequently urged to do so, he never would print it; and on his own manuscript copy there is this note, "Let the Young Man of the West be destroyed," an injunction which has since been scrupulously complied with. During one of those brilliant evenings at the Dilettanti, which, says our bard in a letter to the present writer, "will for ever live in the memory of all who enjoyed them," the conversation ran upon the Italian improvisatori. Odoherty remarked, that the power which appeared to many so wonderful, was no way uncommon, and offered to recite, or write down currente calamo, a poem upon any given subject. The president proposed "An Elegy, by a Young Lady in a Ball-room disappointed of a Partner," and the Adjutant wrote down the following twenty four-line stanzas in fifty-three minutes nineteen seconds by a stop-watch. Such an achievement throws the admirable Crichton into the shade. Elegy written in a Ball-room. THE beaux are jogging on the pictured floor, The belles responsive trip with lightsome heels; * Circassian captive. And undissembled triumph wreathed my face. Fancy prospective took a proud survey said, ed my head, grew my taste, and high my scorn arose. I round the room dispense a wistful glance, Wish Ned, or Dick, or Tom, would crave the honour; I hear Sam whisper to Miss B., “Dodance," And launch a withering scowl of envy on her. Sir Billy capers up to Lady Di; In vain I cough as gay Sir Billy passes; The Major asks my sister-faint I sigh, "Well after this the men are grown such asses!" In vain! in vain! again the dancers mingle, "La! ma'am, how hot!"-" You're quite fatigued, I see;" "What a long dance !"-" And so you're come to town!" Such casual whispers are addressed to me, But not one hint to lead the next set down. The third, the fourth, the fifth, the sixth, are gone, And now the seventh-and yet I'm asked not once! When supper comes must I descend alone ? Does Fate deny me my last prayer-a dunce? Mamma supports me to the room for munching, There turkey's breast she crams, and wing of pullet; I slobbering jelly, and hard nuts am crunching, And pouring tuns of trifle down my gullet. No beau invites me to a glass of sherry; Above me stops the salver of champaigne; While all the rest are tossing brimmers merry, I with cold water comfort my disdain. Ye bucks of Edinburgh! ye tasteless creatures! Ye vapid Dandies! how I scorn you all! Green slender slips, with pale cheese-pairing features, And awkward, lumbring, red-faced boobies tall. Strange compounds of the beau and the attorney! Raw lairds! and school-boys for a whisker shaving! May injured beauty's glance of fury burn ye! I hate you-clowns and fools! but hah! -I'm raving! We shall now take leave, for the present, of Odoherty and the Dilettanti Society, with an extract from his longest and latest poem, entitled "Young's Night Thoughts" (a humorous allusion to the before-mentioned celebrated tavern). Lively as this strain is, we can scarcely read it without tears; for it was, we repeat, the very last of his works here below. The following proem, copied by a female hand on hot-pressed gilt paper, is intended to explain the great leading object of the poem : There was a time when every sort of people But styled " Auld Reekie" by all Celts now treading Her streets, bows, wynds, lanes, crescents, up and down, Her labyrinths of stairs and closes threading On other people's business or their ownThose bandy, broad-faced, rough-kneed, ragged laddies Those horny-fisted, those gill-swigging caddies.) This Edinburgh some call Metropolis, Tho' she abounds in men of sense and worth, There's our Mackenzie; all with veneration There's Leslie, Stewart, Alison, and Gregory. To give examples I should be ashamed, And people would cry, "Lord! that wicked sinner!" (For all we gentry here are quite egg-shells, We can't endure jokes that come near "oorsells.") They say that knowledge is diffused and man. Exceptions 'gainst the fair were coarse and Blue Stocking stands, in my vocabulary, And with re-echoed carpings moves your I like to see young people smart and airy, Can't they discourse about ball, rout, or play, I talked of roses, zephyrs, gurgling brooks, On Una that made sunshine in the shade, Down Prince's Street I once or twice paraded, And flashy silks, surtouts, pelisses, laces; Dreaming enthusiasts who indulge vain That they might pass in Bond Street or St I saw equestrian and pedestrian vanish To club at Waters' for a mutton-chop; And o'er the Mound to Billy Young's we went. I am not nice, I care not what I dine on, Burst 'neath the shelter of that leafy screen; Leave ye to dominies and sticker stibblers, Repose, ye weary travellers, on the green, From the poem itself we quote Dined at a tavern-when they had "the siller." At Florence, London, Weimar, Rome, Maybole, the following stanzas, without any And ne'er did poet, epical or tragical, I rose this morning about half past nine, And little balls of butter dished in water, fatter); See time's dark lanthern glow with hues Than I have witnessed in the Coffin-hole. Let blank verse hero, or Spenserian rhymer, And O, my pipe, though in these Dandy days newer, Puff, every brother, as it likes him best, Pipe! when I stuff into thee my canaster, Curling with balmy circles near my nose, I've no objections to a good segar, But then the smoke's too near the eye by far, And if your leaf have got a straw within it, I have no doubt a long excursive hooker If once in the half hour a puff he brings. Who, while the evening air is warm and dim, (To be continued.) ECHO, IN TWO POETICAL DIALOGUES. 1 [The two following classical jeux d'esprit are extracted from the works of the Rev Francis Wrangham (3 vols 8vo. Baldwin & Co. London, 1816), one of the most accomplished of our living English scholars, and distinguished at the university of Cambridge as the successful competitor of the celebrated Tweddell. We intend, in an early Number, to offer some remarks on that class of writers of which we consider him an honourable representative. EDITOR.] Dialogue I. Παντοίων στοματων λαλον εικονα, ποιμέσιν ήδυ CAN ECHO speak the tongue of every country? Eсно. Try. Te virginem si fortè poscam erotica? Ma si ti sopra il futuro questionerò? Et puis-je te parler sur des choses passées? Dic mihi quæso virum, vitiis cui tot bona parta : Quid nobis iterat tanto hic jactator hiatu? Qu'il vienne aussitôt qu'il le veut, ce grand homme ! Ερω ταχα. Ετεον ερῶ. High tones. As a March hare. But what, if he should chance to meet our navy? Atqui, ceu Xerxes, nostris fugere actus ab oris- Dialogue II. -Quæ nec reticere loquenti, Væ! Paret enses. Есно. Eccomi! AGAIN I call; sweet Maid, come echo me. Quisnam illum à Scotis manet exitus, auspice Moirû? How best shall we 'scape this invasion's alarm? Furem ego contundam, qui te rapere audet, agelle : * Rev. ix. 11. LETTER FROM GLASGOW. Buck's Head, April 10, 1818. MR EDITOR, I BEG leave to offer a few observations on the second letter of Dr Nicol Jarvie, which has lately made so much noise in this city. The doctor is a wag, and possesses a genuine vein of humour, which, under good management, could not fail of amusing the public. But, like too many wits of the present day, he wants discretion. Instead of giving But |