Male Subjectivity at the MarginsRoutledge, 1992 - 447 pages Silverman sets out to offer a bold new look at some masculinities which deviate from the social norm. This book looks at male film-makers, novelists and literary cinematic characters who position themselves more as women than as men and in so doing surrender male power and privilege. |
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Page 240
... heterosexuality which is so central to Berlin Alexanderplatz , and so germane to the issue of identity there . The film makes patently clear that Reinhold can only establish his heterosexual identity by dominating the woman who is the ...
... heterosexuality which is so central to Berlin Alexanderplatz , and so germane to the issue of identity there . The film makes patently clear that Reinhold can only establish his heterosexual identity by dominating the woman who is the ...
Page 339
... heterosexual and a woman , but because the question itself appears to solicit a cultural stereotype which many ... heterosexual men and homosexual women , and that occupied on the other by heterosexual women and homosexual men . Not only ...
... heterosexual and a woman , but because the question itself appears to solicit a cultural stereotype which many ... heterosexual men and homosexual women , and that occupied on the other by heterosexual women and homosexual men . Not only ...
Page 361
... heterosexual , or masculine but homosex- ual men of whom Freud speaks in " Psychogenesis of a Case of Homo- sexuality in a Woman . " Let us return for a moment to an earlier point in the history of male subjectivity . At the end of the ...
... heterosexual , or masculine but homosex- ual men of whom Freud speaks in " Psychogenesis of a Case of Homo- sexuality in a Woman . " Let us return for a moment to an earlier point in the history of male subjectivity . At the end of the ...
Contents
The Dominant Fiction | 15 |
The Gaze and the Look | 121 |
Masochism and Male Subjectivity | 185 |
Copyright | |
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Albertine Althusser anatomical Arab articulates authorial beating fantasy belief Berlin Alexanderplatz Bersani castration chapter character consequently constitutes cultural death drive Deraa desire dominant fiction dramatizes erotic Erwin essay fantasmatic Fassbinder Fassbinder's cinema father female subject feminine masochism Figure film Franz function gaze gender genitals Guilt of Janet heterosexual homosexuality identification identity ideology imaginary insists It's a Wonderful Jacques Lacan Jean Laplanche Lacan lack Laplanche later Lawrence's libidinal look male body male homosexuality male subject masculinity masochism masochistic mirror mirror stage moral masochism mother negative Oedipus complex novel object Oedipus complex paradigm passage penis perversion phallic phallus Pleasure Principle primal scene psyche psychic Psychoanalysis Reik Reinhold relation representation represents sadism Seven Pillars sexual difference Sigmund Freud signifier social specularity Standard Edition structure suggests super-ego symbolic order T.E. Lawrence Thirteen Moons tion trans trauma unconscious University Press utopian viewer woman women York