A New Variorum Edition of Shakespeare: Macbeth. 1873J. B. Lippincott & Company, 1873 |
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Page 3
... reason for the first appearance of the Witches is to strike the key - note of the character of the whole drama . C. A. BROWN ( p . 147 ) . Less study , less experience in human nature , less mental acquirements of every kind , I ...
... reason for the first appearance of the Witches is to strike the key - note of the character of the whole drama . C. A. BROWN ( p . 147 ) . Less study , less experience in human nature , less mental acquirements of every kind , I ...
Page 23
... reason to prefer rumps ; scrap - fed would be more natural , and kidney - fed , or flap - fed , equal . But fat - rumped conveys a picture of the person mentioned , which the others would not in any degree . But in a sieve I'll thither ...
... reason to prefer rumps ; scrap - fed would be more natural , and kidney - fed , or flap - fed , equal . But fat - rumped conveys a picture of the person mentioned , which the others would not in any degree . But in a sieve I'll thither ...
Page 24
... reason given by some old writers for such a deficiency is , that though the hands and feet , by an easy change , might be converted into the four paws ! ΙΟ I'll do , I'll do , and I'll do 24 [ ACT I , SC . iii . MACBETH .
... reason given by some old writers for such a deficiency is , that though the hands and feet , by an easy change , might be converted into the four paws ! ΙΟ I'll do , I'll do , and I'll do 24 [ ACT I , SC . iii . MACBETH .
Page 26
... Reason the card , but passion is the gale . ' 18. hay ] HUNTER . This , it was believed , it was in the power of witches to do , as may be seen in any of the narratives of the cases of witchcraft . Sleep shall neither night nor day Hang ...
... Reason the card , but passion is the gale . ' 18. hay ] HUNTER . This , it was believed , it was in the power of witches to do , as may be seen in any of the narratives of the cases of witchcraft . Sleep shall neither night nor day Hang ...
Page 32
... reason to think that the latter ever fled further from Macbeth than across the flat scene according to the stage direction . Neither were Banquo and his son ancestors of the house of Stuart . ' Yet modern ' Peerages ' and ' Genealogical ...
... reason to think that the latter ever fled further from Macbeth than across the flat scene according to the stage direction . Neither were Banquo and his son ancestors of the house of Stuart . ' Yet modern ' Peerages ' and ' Genealogical ...
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Common terms and phrases
ABBOTT ambition appears Banq Banquo blood called castle Cawdor character CLARENDON Coll COLLIER Compare conj Cotgrave crime crown dagger death deed DELIUS doubt drama Duncan Dunsinane Dyce Edition ELWIN emendation English Enter Macbeth evil Exeunt Exit expression eyes fear feeling Fleance Folio Ghost give hand HARRY ROWE hath haue heart HEATH heaven Hecate Holinshed honour Huds HUNTER husband Johns JOHNSON king Ktly Lady Macbeth Lady Macduff LETTSOM lord Macb Macd Macduff Mach Malcolm MALONE means mind murder nature night noble passage perfect spy perhaps play poet Pope present Rann Ross scene Scotland seems sense Shakespeare Sing Siward sleep speak spirits STAUNTON Steev STEEVENS thane thee Theob thou thought tion tragedy verb vnto WALKER Crit Warb weird sisters White wife Witch word
Popular passages
Page 79 - I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Page 261 - I have lived long enough : my way of life Is fall'n into the sear, the yellow leaf ; And that which should accompany old age, As honour, love, obedience, troops of friends, I must not look to have ; but, in their stead, Curses, not loud but deep, mouth-honour, breath, Which the poor heart would fain deny, and dare not.
Page 32 - I! the name of truth, Are ye fantastical, or that indeed Which outwardly ye show ? My noble partner You greet with present grace and great prediction Of noble having and of royal hope, That he seems rapt withal : to me you speak not. If you can look into the seeds of time, And say which grain will grow and which will not, Speak then to me, who neither beg nor fear 60 Your favours nor your hate.
Page 308 - Is this a dagger which I see before me, The handle toward my hand ? Come, let me clutch thee. I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain ? I see thee yet, in form as palpable As this which now I draw.
Page 305 - He's here in double trust; First, as I am his kinsman and his subject Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself.
Page 154 - Duncan is in his grave; After life's fitful fever he sleeps well; Treason has done his worst: nor steel, nor poison, Malice domestic, foreign levy, nothing Can touch him further.
Page 55 - The raven himself is hoarse That croaks the fatal entrance of Duncan Under my battlements. Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty ! make thick my blood ; Stop up...
Page 91 - Mine eyes are made the fools o' the other senses, Or else worth all the rest ; I see thee still, And on thy blade and dudgeon gouts of blood, Which was not so before. There's no such thing : It is the bloody business which informs Thus to mine eyes.
Page 223 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 166 - With twenty mortal murders on their crowns, And push us from our stools : this is more strange Than such a murder is.