Jameson, Mrs., 573, 639, 640
Jamy in 'Henry V.,' 206, 207
Jaques in As You Like It,' 159, 170,
222-226, 230, 361, 393, 560, 673

Jeanne d'Arc, 308

'Jeppe paa Bjerget,' by Ludwig Holberg,
37, 183

Jessica in Merchant of Venice,' 157,
163, 165, 166, 168-170

'Jew of Malta,' by C. Marlowe, 31, 150,
165, 166

Joan of Arc or La Pucelle in Henry VI.,'
164, 308

John of Gaunt, Duke of Lancaster, in
'Richard II.,' 122, 123
Jonson, Ben, his career, plays, and learn-
ing-Shakespeare compared with,
15, 20, 29, 89, 90, 107, 157, 177,
178, 202, 226, 233, 275, 284, 298,
302, 312, 325-340, 345, 346, 414,
418, 512, 513, 533, 538, 539, 577,
593-595, 599, 601, 610, 635, 659,
669, 685, 687
Julia in Two Gentlemen of Verona,' 53,
54, 168, 573; in the Poetaster,' 332
Juliet in-

'Measure for Measure,' 404, 405
"Romeo and Juliet,' 72-76, 78, 79, 81-
85, 104, 161, 472, 505, 523, 573,
666
'Julius Caesar' (1601), Plutarch's Lives
forming material for-Defective re-
presentation of Cæsar's character-
Characters of Brutus and Portia-
Antony's Oration, 32, 60, 65, 94,
240, 302-325, 334, 336-338, 356,
461, 466, 536, 541, 556, 606, 629
Juno in the Tempest,' 652, 654
Jupiter in 'Cymbeline,' 591, 615, 634

⚫ KABALE UND LIEBE,' by Schiller, 449
Kalisch, 335

Käthchen von Heilbronn,' by Kleist, 48
Katherine in-

'Henry V.,' 206

'Henry VIII.,' 611-613, 640

Taming of the Shrew,' 37, 114, 132,
213, 217, 573

Kemp, William, actor, 106, 151, 177,
280, 298, 357, 388-390, 391
Kent, Earl of, in ‘King Lear,' 454, 457-
460, 565

Kind-hart's Dreame,' 19

King in 'Love's Labour's Lost,' 276, 277
King and no King,' by Beaumont and
Fletcher, 593, 599

King Claudius in Hamlet,' 316, 318,

324, 342, 345-348, 352, 355, 358,
359, 361, 362, 363, 364, 368, 370,
371, 374, 379, 381, 385, 392, 393,
421, 436
King Duncan in 'Macbeth,' 422, 424-
427, 430, 462

King John,' Shakespeare's sorrow at
death of Hamnet-Old play basis
for-Patriotism and chief characters
in, 119, 140-149, 304, 336, 536
King Lear,' 33, 89, 93, 131, 144, 169,

241, 377, 420, 423, 425, 430, 454-
461, 463, 470, 476, 478, 516, 559,
565, 570, 622, 641, 661
Ingratitude denounced by Shakespeare
in-Sources of, 449-453

Titanic tragedy of human life-Con-
struction of, 454-460

'King Leir,' 304
King of France in-

'All's Well that Ends Well,' or
'Love's Labour's Won,' 395, 396,
397, 398, 399, 400, 527
'King John,' 142, 145
'King Lear,' 565

'Kitchen-Stuff Woman,' by W. Kemp,
286
Kleist, 48, 407
Klinger, Max, 289
Knight, 115, 117, 419, 558

Knight's Conjuring' (1607), by Dekker,
179

Knollys, Sir William, admirer of Mary
Fitton, 279
Kohèlet, 247, 297, 478
König, 349

Krasinski's Undivine Comedy' and
'Temptation,' 385, 386
Kreyssig, 318, 377, 559
Kronborg, 84, 358
Kyd, 22, 70, 326, 345, 346

'LA CENA DE le Ceneri,' by Giordano
Bruno, 350, 353

·

'La Dama Duende,' 180

'La Gran Cenobia,' 180

La Hija del Ayre,' 180

'La Princesse d'Elde,' by Molière, 179
La Puente de Mantible,' 180

'La sfortunata morte di due infelicissimi
amanti,' by Bandello, 72

'La Teseide,' by Boccaccio, 605

La Tosca,' by Victorien Sardou, 401

La Vida es Sueño,' 180

Lady of the May,' by Sir Philip Sidney,
42, 45

Laertes in 'Hamlet,' 346, 369, 374, 379,
381, 384, 394

Lafeu in All's Well that Ends Well,'
or 'Love's Labour's Won,' 47, 93,
395, 396, 399, 503
Lambert, Edmund, 9
John, 9, 154

Languet's tenderness for Philip Sidney,

291

Launce in 'Two Gentlemen of Verona,'
51, 52
Launcelot in 'Merchant of Venice,' 165,
167, 388

Livia in Sejanus,' 335

Livy, 324.
'Locrine,' 617

Lodge, Thomas, 221, 222, 287, 344, 635
'London Prodigal' (1605), 576
Longaville in Love's Labour's Lost,'
38

'Lord Cromwell' (1613), 576

Lord Mayor of London in Richard III.,'
135

Lorenzo in Merchant of Venice,' 165,

168-171, 177, 503
'Los Empeños de un Acaso,' 180
Lougher, John, Mary Fitton's second
husband, 279

'Love's Labour's Lost' (1589), matter,
style, and motives of, 28, 38-40, 42-
47, 49, 50, 80, 83, 215, 276, 277,
278, 439, 573, 642

'Love's Labour's Won,' or 'All's Well
that Ends Well' (see that title)
Lucan, Marlowe's translation of, 286
Lucentio in 'Taming of the Shrew,' 169
Lucetta in Two Gentlemen of Verona,'
53, 168

Luciana in Comedy of Errors,' 35, 36,

'MACBETH' (1604-1605), similarity be
tween 'Hamlet' and 'Macbeth'-
Belief in Witches-Defective text-
Macbeth's children-Moral lesson,
24, 104, 241, 293, 316, 419-434,
448, 462, 470, 474, 478, 520

Lady, in Macbeth,' 241, 420, 424-
428, 430, 431, 462, 474, 496, 573
Macduff in Macbeth,' 425, 429, 430
Lady, in Macbeth,' 427, 429
Macmorris in 'Henry V.,' 206, 207
Magna Charta ignored by Shakespeare,
149

'Maid's Tragedy,' by Beaumont and
Fletcher, 593, 602-604, 606
Malcolm in 'Macbeth,' 425, 429
'Malcontent,' by Marston, 327
Malone, Edmund, 266

·

Malvolio in Twelfth Night,' 92, 231-
233, 235, 236, 407

Mamillius in Winter's Tale,' 636-638,
640, 642
Manfred,' by Byron, 384

Manningham, John, 196, 232, 298, 299
Marco Polo, Frampton's translation of
(1579), 656

Mardian in Antony and Cleopatra,'
468

Margaret in 'Much Ado About Nothing,'
92

Henry VI.'s widow in 'Richard
III.,' 138, 139

- of Anjou in 'Henry VI.,' 22, 24,
25, 31, 120, 132, 138, 213, 430, 573
Maria in-

'Love's Labour's Lost,' 45
'Twelfth Night,' 92, 232, 234, 236,
237

Mariana in 'Measure for Measure,' 403,
407

Marianus, Byzantine scholar, 300
Marina in 'Pericles,' 572, 573, 579, 581,

582, 583-592, 615, 645
Marlowe, Christopher, English tragedy
created by Shakespeare influenced
by Marlowe, 22-29, 31, 32, 41, 51,
55, 82, 85, 119–123, 125, 126, 150,
164-166, 172, 202, 221, 230, 286,
387, 480, 513, 539, 595, 599, 654
Marston, John, 177, 178, 298, 325, 327
332, 339, 340, 599

'Romeo and Juliet,' 84

'Troilus and Cressida,' 503, 517, 518
Parolles in Love's Labour's Won,' or
'All's Well that Ends Well,' 47-49,
185, 380, 395, 399, 400
Pascal, 199, 467

OBERON in 'Midsummer Night's Dream,'
63, 65-68, 80

Octavia in 'Antony and Cleopatra,' 466,

470, 473, 474, 475

Octavius Cæsar in Antony and Cleo-
patra,' 465, 466, 470, 473-476, 537
'Odyssey,' 513

Oehlenschläger, 77, 227, 639
Oldcastle, Sir John. See Falstaff
Oldys, 11, 196, 197

Oliver in As You Like It,' 222, 228
Olivia in 'Twelfth Night,' 54, 234-238
'On Poet-Ape,' by Ben Jonson, 20
Ophelia in Hamlet,' 93, 156, 170, 214,
340, 342, 346, 356, 360, 367, 368,
370, 374, 375, 377, 380-382, 385,
387, 395, 447, 478, 573, 606
Orlando inAs You Like It,' 222, 226,
228, 229

'Orlando Furioso,' Ariosto's, 215, 445,
655
'Orlando Innamorato,' by Berni, 444
Osrick in Hamlet,' 365, 394
'Othello' (1605), 113, 117, 131, 170,

177, 241, 420, 423, 455, 457, 470,
471, 474, 476, 478, 520, 551, 570,
597, 598, 639

Iago's character and significance, 433-
436

Theme and origin of Othello as a
monograph, 437-450

Overbury, Sir Thomas, 495, 496, 498
Ovid, 31, 41, 56, 58, 60, 68, 269, 270,
287, 306, 327, 330, 332, 510, 515,
658
Oxford, 350
Oxford, Earl of, 271

'PEAN TRIUMPHALL,' by Drayton, 418
Page, Mr., Mrs., and Anne, in Merry
Wives of Windsor,' 210, 211
'Palace of Pleasure,' by Paynter, 396
Palamon in 'Two Noble Kinsmen,' 605,
606

'Pastor Fido,' by Guarini, 339
Patroclus in Troilus and Cressida,' 515,
518, 520

'Patterne of Paynfull Adventures,' by
Lawrence Twine, 579

Patterson's, R., 'Natural History of the
Insects mentioned by Shakespeare'
(1841), 92

Paulina in Winter's Tale,' 639, 640,
642, 645
Pavier, 343

་

Paynter's Palace of Pleasure,' 396
Pease-blossom in Midsummer Night's
Dream,' 64, 69

Peele, George, 31, 32, 203, 594
Pembroke, Lady Mary, 271, 273, 274,
464

William Herbert, Earl of, passion.
ately loved by Shakespeare Sonnets
addressed to Mary Fitton's relations
with-Career of, 101, 155, 214,
246, 267-277, 278, 279, 280, 281,
285, 286, 290, 293-298, 300, 336,
341, 464, 498, 506, 513, 514, 616
Penates,' by Ben Jonson, 418
Pensées,' by Pascal, 467
Percy, Henry. See Hotspur

Lady, wife of Hotspur, in 'Henry
IV., 187-189, 191, 192, 198, 319
Perdita in Winter's Tale,' 572, 573,
584, 590, 619, 628, 636, 638–646,
681
Pericles,' Shakespeare's collaboration
with Wilkins and Rowley-Cor-
neille compared with Shakespeare-
Shakespeare's restoration to happi-
ness, 2, 103, 116, 340, 556, 572, 573,
575-593, 638, 645, 651, 661
Persæ' of Eschylus, 204
Peter in Romeo and Juliet,' 109, 388
Petrarch, 40, 81, 287, 288, 504
Petruchio in 'Taming of the Shrew,' 114,
150, 217

Phebe in As You Like It,' 234, 235,
640

Phèdre,' by Racine, 600

'Philaster,' or 'Love Lies Bleeding,' by
Beaumont and Fletcher, 593, 597-
600

Philippi, 307

Phrynia in Timon of Athens,' 568
Pimlyco, or Runne Redcap' (1609),
577
Pindar, 287

'Henry IV.,' 202, 203
'Henry V.,' 206, 503

'Merry Wives of Windsor,' 209, 211
Plato, 17, 290, 355, 512

Platonism in Shakespeare's Sonnets, 290,
291, 296

Plautus, 35, 41, 50, 80, 232

Players, I love yee, and your Qualitie,'
by John Davies, 151

• Pleasant Comedie called Common Con-
ditions,' 445

Pliny's 'Natural History,' 43
Plutarch, 41, 304-308, 312, 314, 315,
317, 319-323, 461, 462, 464, 465,
472, 473, 475, 501, 533, 534, 541,
548, 549, 552-554, 557, 561, 569
Poetaster,' by Ben Jonson (1601), 298,
325, 327, 329, 332-334, 339
'Poetical Rhapsody,' by Davison, 275
'Poet's Vision and a Prince's Glorie,' by
Thomas Greene, 418

Poins in Henry IV.,' 211
Polixenes in Winter's Tale,' 636, 642,
644, 645, 681

Polonius in

Hamlet,' 342, 343, 345,
349, 352, 353, 358, 360, 365, 370,
375, 376, 377, 381, 394 413, 524,
620
Polwheele, William, Mary Fitton's first
husband, 279

Pompey in Measure for Measure,' 403,

404

Pompey the Great, 310, 312, 323,
467

Pope, Thomas, 357

Porter in Macbeth,' 427, 428
Portia in-

'Julius Cæsar,' 94, 228, 305, 316, 319,
330, 443, 462

'Merchant of Venice,' 53, 115, 157-
164, 168, 169, 215, 395, 573
Posthumus in Cymbeline, 490, 591, 612,
615, 616, 619, 621, 623-631, 634,
639

'Précieuses Ridicules,' 76

Priam in 'Troilus and Cressida,' 528
Princess in Love's Labour's Lost,' 38,
39, 70
Propertius, 332

Prospero in the Tempest,' 35, 530, 535,

573, 591, 592, 619, 633, 651-653,
654-669

Proteus in Two Gentlemen of Verona,'
53, 54, 80

Provost in Measure for Measure,' 405
Prynne's Histriomastix,' 98, 345, 547
'Psyché,' by Molière, 64

Puck in Midsummer Night's Dream,'
63, 64, 69, 582

Regan in 'King Lear,' 241, 452, 455,
457-459, 573

Relics of Cardinal Wolsey,' by George
Cavendish, 608

Religio Medici,' by Sir Th. Browne, 291
Renaissance, 290, 291, 329, 332, 337,
366, 367, 383

Representative Men,' by Emerson, 609
'Return from Parnassus' (1606), by Ben
Jonson, 151, 298, 334
'Revisor,' by Gogol, 329

Rich, Lady Penelope, 273, 352, 418
'Richard II.,' C. Marlowe's Edward

II.' used by Shakespeare as model
for, 7, 119-126, 128, 143, 189, 199,
204, 259, 537, 681
Richard III.,' principal scenes and
classic tendency of, 25, 32, 90, 119,
126-139, 177, 196, 200, 219, 306,
315, 372, 420, 425, 433, 435

Richard of York. See York and Glou-
cester

Richter, Jean Paul, 305

'Right Excellent and Famous History of
Promos and Cassandra' (1578), by
George Whetstone, 401