 ... the part of the reader; from the rapid flow, the quick change, and the playful nature of the thoughts and images; and, above all, from the alienation, and, if I may hazard such an expression, the utter aloofness of the poet's own feelings from those...  The Athenaeum and Literary Chronicle - Page 1791829Full view - About this book
 | Samuel Taylor Coleridge - 1817 - 326 pages
...utter aloofness of the poet's own 16 feelings, from those of which he is at once the painter and the analyst ; that though the very subject cannot but...passion into appetite, the trials of love into the struggles of concupiscence ; Shakspeare has here represented the animal impulse itself, so as to preclude... | |
 | Samuel Taylor Coleridge - 1834 - 360 pages
...the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst ; that though the very subject cannot but...doing as Ariosto, and as, still more offensively, Weiland has done ; instead of degrading and deforming passion into appetite, the trials of love into... | |
 | Samuel Taylor Coleridge - 1834 - 368 pages
...feelings, from those of which he is at once the painter and the analyst ; that though the very^subject cannot but detract from the pleasure of a delicate...doing as Ariosto, and as, still more offensively, Weiland has done ; instead of degrading and deforming passion into appetite, the trials of love into... | |
 | Samuel Taylor Coleridge - 1840 - 582 pages
...the utter alaofnea of the poet's own feelings, from those of which he is at once the painter and the l the hope survives VALDEZ (looking forward). flush!...scent of blood ? Enter MONVIEDRO with ALHADRA. MONV uf duing as Ariosto, and as, ptill more offcn lively, Weiland has done; instead of degrading and deforming... | |
 | Samuel Taylor Coleridge - 1845 - 582 pages
...aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst; thai s ` 1 & 9̔* &? f Fc Sr , \ V ' < *T Sx `J z... 6 $ - t ĪӪ JrَP jT 睒 5 j0 P: զ B#)- Weiland has done ; instead of degrading and deforming passion into appetite, the trials of love into... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 376 pages
...the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst ; — that though the very subject cannot...passion into appetite, the trials of love into the struggles of concupiscence ; — Shakspeare has here represented the animal impulse itself, so as to... | |
 | Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 380 pages
...never was poen i less dangerous on a moral account. Instead of doing as AriostoK. and as, stilhmore offensively, Wieland has done, instead of degra/ding...deforming passion into appetite, the trials of love into t i& struggles of concupiscence ; — Shakspeare has here represented tl ie animal impulse itself,... | |
 | Samuel Taylor Coleridge - 1848 - 378 pages
...the utter aloofness of the poet's own feelings, from those of which he is at once the painter and the analyst ; — that though the very subject cannot...account. Instead of doing as Ariosto, and as, still more oifensively, Wieland has done, instead of degrading and" deforming passion into appetite, the trials... | |
 | Samuel Taylor Coleridge - 1849 - 578 pages
...from thune of which he is at once the painter and the analyst ; that though tho very subject cnnnot but detract from the pleasure of a delicate mind,...account Instead of doing as Ariosto, and as, still more offennvely, Weiland has done; instead of degrading and deforming pasnon into appetite, the trials of... | |
 | William Shakespeare - 1850 - 484 pages
...the utter aloofness of the poet's own feelings from those of which he is at once the painter and the analyst, — that though the very subject cannot but...never was poem less dangerous on a moral account." * Coleridge, in the preceding chapter of his " Literary Life," says, " During the first year that Mr.... | |
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