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Or. Ay, my good lord.

King. Set me the stoups of wine upon that table :—
If Hamlet give the first or second hit,

Or quit in answer of the third exchange,
Let all the battlements their ordnance fire;
The king shall drink to Hamlet's better breath;
And in the cup an union shall he throw,
Richer than that which four successive kings
In Denmark's crown have worn; Give me the cups;
And let the kettle to the trumpet speak,
The trumpet to the cannoneer without,
The cannons to the heavens, the heaven to earth,
Now the king drinks to Hamlet.-Come, begin ;-
And you, the judges, bear a wary eye.
Ham. Come on, sir,
Laer. Come, my lord.

Ham.

Laer.

Ham.

One.

No.

Orr. A hit, a very palpable hit.
Laer.

I am justly kill'd with mine own treachery.
Ham. How does the queen?

King.

She swoons to see them bleed.
Queen. No, no, the drink, the drink,-O my dear
Hamlet!-

The drink, the drink ;-I am poison'd! [Dies.
Ham. O villany!-Ho! let the door be lock'd:
Treachery! seek it out.
[LAERTES falle
Laer. It is here, Hamlet: Hamlet, thou art slain;
No medicine in the world can do thee good,
In thee there is not half an hour's life;
The treacherous instrument is in thy hand,
Unbated, and envenom'd: the foul practice
Hath turn'd itself on me; lo, here I lie,
Never to rise again: Thy mother's poison'd;
I can no more; the king, the king's to blame.
Ham. The point

Envenom'd too!-Then, venom, to thy work.
[Stabs the KING

Osr.& Lords. Treason! treason!
King. O, yet defend me, friends, I am but hurt.
Ham. Here, thou incestuous, murd'rous, damned
Drink off this potion :-Is the union here? [Dane,
Follow my mother.
[KING dias.

Laer.

He is justly serv'd;
It is a poison temper'd by himself.
Exchange forgiveness with me, noble Hamlet:
Mine and my father's death come not upon thee;
Nor thine on me!
[Dies.

Ham. Heaven make thee free of it! I follow thee.
I am dead, Horatio:-Wretched queen, adieu !—
You that look pale and tremble at this chance,
[They play. That are but mutes or audience to this act,
Had I but time, (as this fell sergeant, death,
Is strict in his arrest,) O, I could tell you,-
But let it be :-Horatio, I am dead;
Thou liv'st; report me and my cause aright
To the unsatisfied.

Judgment.
Well,-again.
King. Stay, give me drink: Hamlet, this pearl is
Here's to thy health.-Give him the cup. thine;
[Trumpets sound; and cannon shot off within.
Ham. I'll play this bout first, set it by awhile.
Come.-Another hit; What say you? [They play.
Laer. A touch, a touch, I do confess.
King. Our son shall win.
Queen.

Hor.

Never believe it; I am more an antique Roman than a Dane, Here's yet some liquor left. Ham. As thou'rt a man,— Give me the cup; let go; by heaven I'll have it.— O God!-Horatio, what a wounded name, Things standing thus unknown, shall live behind me t He's fat, and scant of breath.—If thou didst ever hold me in thy heart, Here, Hamlet, take my napkin, rub thy brows: Absent thee from felicity awhile, The queen carouses to thy fortune, Hamlet. Ham. Good madam,King.

Gertrude, do not drink.
Queen. I will, my lord ;-I pray you, pardon me.
King. It is the poison'd cup; it is too late. [Aside.
Ham. I dare not drink yet, madam; by and by.
Queen. Come, let me wipe thy face.
Laer. My lord, I'll hit him now.
King.
I do not think it.
Laer. And yet it is almost against my conscience.
[Aside.
Ham. Come, for the third, Laertes: You do but
I pray you, pass with your best violence; [dally;
I am afeard, you make a wanton of me.
Laer. Say you so? come on. [They play.
Osr. Nothing neither way.
Laer. Have at you now.

[LAERTES wounds HAMLET; then, in scuffling, they
change rapiers, and HAMLET wounds LAERTES.
King.
Part them, they are incens'd.
Ham. Nay, come again. [The QUEEN falls.
Look to the queen there, ho!
Hor. They bleed on both sides:-How is it, my lord?
Osr. How is't, Laertes?
Laer. Why, as a woodcock to my own springe, Osric;

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And in this harsh world draw thy breath in pain,
To tell my story.- [March afar off, and shot within.
What warlike noise is this?
Osr. Young Fortinbras, with conquest comes from
To the ambassadors of England gives
[Poland,
This warlike volley.
Ham.
O, I die, Horatio;
The potent poison quite o'er-crows my spirit;
I cannot live to hear the news from England:
But I do prophesy, the election lights
On Fortinbras; he has my dying voice ;
So tell him, with the occurrents, more or less,
Which have solicited,—The rest is silence. [Dies.
Hor. Now cracks a noble heart;-Good night,
sweet prince;

And flights of angels sing thee to thy rest!
Why does the drum come hither! [March within.
Enter FORTINBRAS, the English Ambassadors,
and others.

Fort. Where is this sight?
Hor.

What is it, you would see!
If aught of woe, or wonder, cease your search.
Fort. This quarry cries on havoc -O proud death!
What feast is toward in thine eternal cell,

That thou so many princes, at a shot, So bloodily hast struck !

1 Amb. The sight is dismal; And our affairs from England come too late : The ears are senseless, that should give us hearing, To tell him, his commandment is fulfill'd, That Rosencrantz and Guildenstern are dead: Where should we have our thanks? Hor. Not from his mouth, Had it the ability of life to thank you; He never gave commandment for their death. But since, so jump upon this bloody question, You from the Polack wars, and you from England, Are here arriv'd; give order, that these bodies High on a stage, be placed to the view; And let me speak, to the yet unknowing world, How these things came about: So shall you hear Of carnal, bloody, and unnatural acts; Of accidental judgments, casual slaughters; Of deaths put on by cunning, and forc'd cause; And, in this upshot, purposes mistook Fall'n on the inventors' heads: all this can I

In the dramas of Shakspeare were to be characterised, each by the particular excellence which distinguishes it from the rest, we must allow to the tragedy of Hamlet the praise of variety. The incidents are so numerous, that the argument of the play would make a long tale. The scenes are interchangeably diversified with merriment and solemnity: with merriment that includes judicious and instructive observations; and so lemnity not strained by poetical violence above the natural sentiments of man. New characters appear from time to time in continual succession, exhibiting various forms of life, and particular modes of conversation. The pretended madness of Hamlet causes much mirth, the mournful distraction of Ophelia fills the heart with tenderness, and every personage produces the effect intended, from the apparition that in the first act chills the blood with horror, to the fop in the last, that exposes affectation to just contempt.

The conduct is perhaps not wholly secure against objections. The action is indeed for the most part in continual progression, but there are some scenes which neither forward nor retard it. Of the feigned madness of Hamlet there appears no adequate cause, for he does nothing which he might not have done with

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the reputation of sanity. He plays the madman most, when he treats Ophelia with so much rudeness, which seems to be useless and wanton cruelty.

Hamlet is, through the whole piece, rather an instrument than an agent. After he has, by the stratagem of the play, convicted the king, he makes no attempt to punish him; and his death is at last effected by an incident which Hamlet had no part in producing.

The catastrophe is not very happily produced; the exchange of weapons is rather an expedient of necessity, than a stroke of art. A scheme might easily be formed to kill Hamlet with the dagger, and Laertes with the bowl.

The poet is accused of having shewn little regard to poetical justice, and may be charged with equal neglect of poetical probability. The apparition left the regions of the dead to little purpose; the revenge which he demands is not obtained, but by the death of him that was required to take it: and the gratincation, which would arise from the destruction of an usurper and a murderer, is abated by the untimely death of Ophelia, the young, the beautiful, the harmless, and the pious.-JOHNSON,

OTHELLO.

THIS tragedy, which Malone supposes to have been written so early as 1604, was first entered at Stationers' Hall, Oct. 6, 1621, and printed the year following. The story is taken from the seventh tale, in the third decad, of Cynthia's Novels: a work, of which it is not believed that any English translation existed in Shakspeare's time; and with the contents of which he must have become acquainted by his knowledge either of the Italian or the French language. "The time of this play," says Read, "may be ascertained from the following circumstances: Selymus the Second formed his design against Cyprus in 1569, and took it in 1571. This was the only attempt the Turks ever made upon that island after

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it came into the hands of the Venetians, (which was in the year 1473,) wherefore the time must fall in with some part of that interval. We learn from the play that there was a junetion of the Turkish fleet at Rhodes, in order for the invasion of Cyprus, that it first came sailing towards Cyprus, then went to Rhodes, there met another squadron, and then resumed its way to Cyprus. These are real historical facts which happened when Mustapha, Selymus's general, attacked Cyprus in May, 1570, which therefore is the true period of this performance. See Knolles's History of the Turks, p. 858. 846. 867."

Officers, Gentlemen, Messengers, Musicians, Sailors, Attendants, &c. SCENE,-for the First Act, in VENICE; during the rest of the Play, at a Sea-Port in CYPRUS

ACT I.

SCENE I.-Venice. A Street.

Enter RODERIGO and IAGO.

Rod. Tush, never tell me, I take it much unkindly, That thou, Iago,-who hast had my purse,

As if the strings were thine,- should'st know of this.
Iago. 'Sblood, but you will not hear me :-
If ever I did dream of such a matter,
Abhor ine.

Rod.Thou told'st me, thou didst hold him in thy hate. Iago.Despise me, if I do not. Three great ones of the In personal suit to make me his lieutenant,

[city.

854

Off-capp'd to him :—and, by the faith of man,
I know my price, I am worth no worse a place:
But he, as loving his own pride and purposes,
Evades them, with a bombast circumstance,
Horribly stuff'd with epithets of war;
And, in conclusion, nonsuits

My mediators; for, certes, says he,
I have already chose my officer.
And what was he?

Forsooth, a great arithmetician,
One Michael Cassio, a Florentine,

A fellow almost damn'd in a fair wife,
That never set a squadron in the field,
Nor the division of a battle knows

More than a spinster; unless the bookish theoric,
Wherein the toged consuls can propose
As masterly as he: mere prattle, without practice,
Is all his soldiership. But, he, sir, had the election:
And I,-of whom his eyes had seen the proof
At Rhodes, at Cyprus; and on other grounds
Christian and heathen,-must be be-lee'd and calm'd
By debitor and creditor, this counter-caster;
He, in good time, must his lieutenant be,
And I, (God bless the mark!) his Moor-ship's ancient.
Rod. By heaven, I rather would have been his hang-

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their coats,

Do themselves homage: these fellows have some soul;
And such a one do I profess myself.
For, sir,

It is as sure as you are Roderigo,

Were I the Moor, I would not be Iago :
In following him, I follow but myself;
Heaven is my judge, not I for love and duty,
But seeming so, for my peculiar end:
For when my outward action doth demonstrate
The native act and figure of my heart
In compliment extern, 'tis not long after
But I will wear my heart upon my sleeve
For daws to peck at: I am not what I am.

As when, by night and negligence, the fire
Is spied in populous cities.

Rod. What, ho! Brabantio! signior Brabantio, ho! lago. Awake! what, ho! Brabantio! thieves! thieves! thieves!

Look to your house, your daughter, and your bags! Thieves! thieves !

BRABANTIO, above, at a window.

Bra. What is the reason of this terrible summons! What is the matter there?

Rod. Signior, is all your family within?

lago. Are your doors lock'd?

Bra.
Why? wherefore ask you this?
Iago. 'Zounds, sir, you are robb'd; for shame, put
on your gown;

Your heart is burst, you have lost half your soul;
Even now, very now, an old black ram
Is tupping your white ewe. Arise, arise;
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you:
Arise, I say.
Bra.
What, have you lost your wits?
Rod. Most reverend signior, do you know my voice?
Bra. Not I; what are you?
Rod. My name is—Roderigo.
Bra.

The worse welcome:
I have charg'd thee, not to haunt about my doors:
In honest plainness thou hast heard me say,
My daughter is not for thee; and now, in madness,
Being full of supper, and distempering draughts,
Upon malicious bravery, dost thou come
To start my quiet.

Rod. Sir, sir, sir, sir,Bra.

But thou must needs be sure,

My spirit, and my place, have in them power
To make this bitter to thee.

Rod.

Patience, good sir.

Bra. What tell'st thou me of robbing? this is VeMy house is not a grange. [nice; Rod. Most grave Brabantio, In simple, and pure soul I come to you. Iago. 'Zounds, sir, you are one of those, that will not serve God, if the devil bid you. Because we come to do you service, you think we are ruffians : You'll have your daughter covered with a Barbary horse: you'll have your nephews neigh to you: you'll have coursers for cousins, and gennets for germans.

Bra. What profane wretch art thou?

lago. I am one, sir, that comes to tell you, your daughter and the Moor are now making the beast with two backs.

Bra. Thou art a villain.
Iago. You are-a senator.

[derigo.

Bra. This thou shalt answer; I know thee, Ro-
Rod. Sir, I will answer any thing. But I beseech you
If't be your pleasure, and most wise consent,
(As partly, I find, it is,) that your fair daughter,
At this odd-even and dull watch o'the night,
Transported-with no worse nor better guard,

Rod. What a full fortune does the thick-lips owe, But with a knave of common hire, a gondolier, If he can carry't thus !

Call up her father,

Iago. Rouse him make after him, poison his delight, Proclaim him in the streets; incense her kinsmen, And, though he in a fertile climate dwell, Plague him with flies: though that his joy be joy, Yet throw such changes of vexation on't, As it may lose some colour.

Rod. Here is her father's house; I'll call aloud. Iago. Do: with like timorous accent, and dire yell,

To the gross clasps of a lascivious Moor,-
If this be known to you, and your allowance,
We then have done you bold and saucy wrongs;
But, if you know not this, my manners tell me,
We have your wrong rebuke. Do not believe,
That, from the sense of all civility,

I thus would play and trifle with your reverence:
Your daughter, if you have not given her leave,
I say again, hath made a gross revolt;
Tying her duty, beauty, wit, and fortunes,

In an extravagant, and wheeling stranger,
Of here and every where: Straight satisfy yourself:
If she be in her chamber, or your house,
Let loose or me the justice of the state
For thus deluding you.

Bra.

Strike on the tinder, ho
Give me a taper;-call up all my people: :---
This accident is not unlike my dream;
Belief of it oppresses me already :-
Light, I say! Fight!
[Frit, from above.
lago.
Farewell; for I must leave you:
It seems not meet, nor wholesome to my place,
To be produc'd (as, if I stay, I shall,)'
Against the Moor: For, I do know, the state,-
However this may gall him with some check,-
Cannot with safety cast him; for he's embark'd
With such loud reason to the Cyprus' wars,
(Which even now stand in act,) that, for their souls,
Another of his fathom they have not,
To lead their business: in which regard,
Though I do hate him as I do hell pains,
Yet, for necessity of present life,

I must shew out a flag and sign of love,
Which is indeed but sign. That you shall surely find
Lead to the Sagittary the rais'd search; [him,
And there will I be with him. So, farewell. [Exit.
Enter, below, BRABANTO, and Servants with torches.
Bra. It is too true an evil: gone she is ;
And what's to come of my despised time,
Is nought but bitterness.-Now, Roderigo,
Where didst thou see her?-O, unhappy girl!-
With the Moor, say'st thou? Who would be a father?—
How didst thou know 'twas she?—O, thou deceiv'st
[tapers;
Past thought! What said she to you?-Get more
Raise all my kindred.-Are they married, think you?
Rod. Truly, I think they are. [the blood!
Bra. O heaven!-How got she out!-O treason of
Fathers, from hence trust not your daughters' minds
By what you see them act.-Are there not charms,
By which the property of youth and maidhood
May be abus'd? Have you not read, Roderigo,
Of some such thing?

me

[her!

Rod. Yes, sir; I have indeed. Bra. Call up my brother.-O, that you had had Some one way, some another.-Do you know Where we may apprehend her and the Moor?

Rod. I think, I can discover him; if you please To get good guard, and go along with me.

Bra. Pray you, lead on. At every house I'll call, I may command at most ;-Get weapons, ho! And raise some special officers of night.On, good Roderigo;-I'll deserve your pains.

[Exeunt.

SCENE II-The same. Another street.
Enter OTHELLO, IAGO, and Attendants.
Iago. Though in the trade of war I have slain men,
Yet do I hold it very stuff o' the conscience,
To do no contriv'd murder; I lack iniquity
Sometimes, to do me service: Nine or ten times

I had thought to have yerk'd him here under the ribs,
Oth. 'Tis better as it is.
Iago.

Nay, but he prated,
And spoke such scurvy and provoking terms
Against your honour,

That, with the little godliness I have,

I did full hard forbear him. But, I

pray, sir,

Are you fast married? for, be sure of this,

That the magnifico is much beloved,

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[yonder?

I would not my unhoused free condition
Put into circumscription and contine
For the sea's worth. But, look! what lights come
Enter Cassio, at a distance, and certain Officers
with torches.

Iago. These are the raised father, and his friends:
You were best go in.
Oth.
Not I: I must be found;
My parts, my title, and my perfect soul,
Shall manifest me rightly. Is it they?
lago. By Janus, I think no.

Oth. The servants of the duke, and my lieutenant. The goodness of the night upon you, friends!

What is the news?

Cas.

The duke does greet you, general; And he requires your haste-post-haste appearance, Even on the instant. Oth. What is the matter, think you? Cas. Something from Cyprus, as I may divine; It is a business of some heat: the gallies Have sent a dozen sequent messengers This very night, at one another's heels; And many of the consuls, rais'd, and met, Are at the duke's already: You have been hotly call'd When, being not at your lodging to be found, [for; The senate hath sent about three several quests, To search you out. Oth. "Tis well I am found by you. I will but spend a word here in the house, And go with you. Cas.

[Exit.

Ancient, what makes he here? Iago. 'Faith, he to-night hath boarded a land carack; If it prove lawful prize, he's made for ever. Cas. I do not understand.

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For I'll refer me to all things of sense,
If she in chains of magic were not bound,
Whether a maid-so tender, fair, and happy ;
So opposite to marriage, that she shunn'd
The wealthy curled darlings of our nation,
Would ever have, to incur a general mock,
Run from her guardage to the sooty bosom
Of such a thing as thou: to fear, not to delight.
Judge me the world, if 'tis not gross in sense,
That thou hast practis'd on her with foul charms;
Abus'd her delicate youth with drugs, or minerals,
That waken motion :-I'll have it disputed on,
"Tis probable, and palpable to thinking.
I therefore apprehend and do attach thee,
For an abuser of the world, a practiser
Of arts inhibited and out of warrant :-
Lay hold upon him: if he do resist,
Subdue him at his peril.

Oth.

Hold your hands,

Both you of my inclining, and the rest:
Were it my cue to fight, I should have known it
Without a prompter.-Where will you that I go
To answer this your charge?

Bra.

To prison: till fit time Of law, and course of direct session, Call thee to answer.

Oth.

What if I do obey?

How may the duke be therewith satisfied;
Whose messengers are here about my side,
Upon some present business of the state,
To bring me to him.

Off.
'Tis true, most worthy signior,
The duke's in council; and your noble self,
I am sure, is sent for.

Bra. How! the duke in council! In this time of the night!-Bring him away: Mine's not an idle cause: the duke himself, Or any of my brothers of the state Cannot but feel this wrong, as 'twere their own: For if such actions may have passage free, Bond-slaves, and pagans, shall our statesmen be.

[Exeunt.

SCENE III.-The same. A Council-Chamber. The DUKE, and Senators, sitting at a table; Officers attending. Duke. There is no composition in these news, That gives them credit.

1 Sen. Indeed, they are disproportion'd; My letters say, a hundred and seven gallies. Duke. And mine a hundred and forty. 2 Sen. And mine, two hundred: But though they jump not on a just account, (As in these cases, where the aim reports, Tis oft with difference,) yet do they all confirm A Turkish fleet, and bearing up to Cyprus.

Duke. Nay, it is possible enough to judgment;

I do not so secure me in the error,
But the main article I do approve

In fearful sense.

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To keep us in false gaze: When we consider
The importancy of Cyprus to the Turk;
And let ourselves again but understand,
That, as it more concerns the Turk than Rhodes,
So may he with more facile question bear it,
For that it stands not in such warlike brace,
But altogether lacks the abilities

That Rhodes is dress'd in: if we make thought of this,
We must not think, the Turk is so unskilful,
To leave that latest which confirms him first;
Neglecting an attempt of ease, and gain,
To wake, and wage, a danger profitless.

Duke. Nav, in all confidence, he's not for Rhodes.
Off. Here is more news.

Enter a Messenger.

Mess. The Ottomites, reverend and gracious, Steering with due course toward the isle of Rhodes, Have there injointed them with an after fleet.

1 Sen. Ay, so I thought:-How many, as you guess! Mess. Of thirty sail: and now do they re-stem Their backward course, bearing with frank appearance Their purposes toward Cyprus.-Signior Montano, Your trusty and most valiant servitor,

With his free duty, recommends you thus,
And prays you to believe him.

Duke. 'Tis certain then for Cyprus.-
Marcus Lucchesé, is he not in town?

1 Sen. He's now in Florence.

[despatch.

Duke. Write from us; wish him post-post-haste:

1 Sen. Here comes Brabantio, and the valiant Moor.

Enter BRABANTIO, OTHELLO, IAGO, RODERIGO, and Officers.

Duke. Valiant Othello, we must straight employ you Against the general enemy Ottoman.

I did not see you; welcome, gentle signior,

[TO BRABANTIO.

[care

We lack'd your counsel and your help to-night.
Bra. So did I yours: Good your grace, pardon me;
Neither my place, nor aught I heard of business,
Hath rais'd me from my bed; nor doth the general
Take hold on me; for my particular grief
Is of so flood-gate and o'erbearing nature,
That it engluts and swallows other sorrows,
And it is still itself.
Drike.
Why, what's the matter?
Bra. My daughter! O, my daughter!
Sen.
Dead?
Bra.
Ay, to me;
She is abus'd, stol'n from me, and corrupted
By spells and medicines bought of mountebanks:
For nature so preposterously to err,
Being not deficient, blind, or lame of sense,
Sans witchcraft could not-

Duke. Whoe'er he be, that, in this foul proceeding Hath thus beguil'd your daughter of herself,

And

you of her, the bloody book of law

You shall yourself read in the bitter letter,
After your own sense; yea, though our proper son
Stood in your action.

Bra.

Humbly I thank your grace. Here is the man, this Moor; whom now, it seems, Your special mandate, for the state affairs, Hath hither brought.

Duke & Sen.

We are very sorry for it.

Duke. What, in your own part, can you say t
this?
[TO OTHELLO.

Bra. Nothing, but this is so.

Oth. Most potent, grave, and reverend signiors

This cannot be My very noble and approv'd good masters,

no essay of reason; 'tis a pageant,

That I have ta'en away this old man's daughter,

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