Coming of Age in ShakespeareRoutledge, 2013 M04 15 - 248 pages Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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Page 3
... woman , one woman decidedly aged ( with drawn face and slightly pendu- lous breasts ) and , in place of the third , a skeleton with a death's head , holding an hourglass and a scythe . Even for the more robust sensibility of the time ...
... woman , one woman decidedly aged ( with drawn face and slightly pendu- lous breasts ) and , in place of the third , a skeleton with a death's head , holding an hourglass and a scythe . Even for the more robust sensibility of the time ...
Page 11
... woman's name is frequently changed , sometimes several times , as he or she matures and enters a different stage of social development . A name change may also indicate some specific achievement ( e.g. in hunting or war ) , or signify a ...
... woman's name is frequently changed , sometimes several times , as he or she matures and enters a different stage of social development . A name change may also indicate some specific achievement ( e.g. in hunting or war ) , or signify a ...
Page 12
... woman is separated from her parents , family or clan , and incor- porated into the family or clan of her husband . In some cases - as with matrilineal tribes - the process is reversed , and the young man becomes a member of his wife's ...
... woman is separated from her parents , family or clan , and incor- porated into the family or clan of her husband . In some cases - as with matrilineal tribes - the process is reversed , and the young man becomes a member of his wife's ...
Page 24
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Page 37
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Contents
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young