Coming of Age in ShakespeareRoutledge, 2013 M04 15 - 248 pages Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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Page 8
... Winter's Tale . But the key and transforming element in Turner's system is ' communitas ' , the stage of liminality . ' Communitas ' is ' an unstructured or rudimentarily struc- tured and relatively undifferentiated comitatus ...
... Winter's Tale . But the key and transforming element in Turner's system is ' communitas ' , the stage of liminality . ' Communitas ' is ' an unstructured or rudimentarily struc- tured and relatively undifferentiated comitatus ...
Page 19
... winter and spring , or in The Winter's Tale . Hamlet is often compared to one of Frazer's ' dying and reviving gods ' , and the play has been considered in the context of the year - king tradition . 38 Vestiges of a similar mythic ...
... winter and spring , or in The Winter's Tale . Hamlet is often compared to one of Frazer's ' dying and reviving gods ' , and the play has been considered in the context of the year - king tradition . 38 Vestiges of a similar mythic ...
Page 20
... Winter's Tale we are told that Leontes and Polixenes were childhood friends , and that they have main- tained their friendship ' since their more mature dignities and royal necessities made separation of their society ' ( 1. i . 27–8 ) ...
... Winter's Tale we are told that Leontes and Polixenes were childhood friends , and that they have main- tained their friendship ' since their more mature dignities and royal necessities made separation of their society ' ( 1. i . 27–8 ) ...
Page 32
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Page 80
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Contents
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young