Coming of Age in ShakespeareRoutledge, 2013 M04 15 - 248 pages Marjorie Garber examines the rites of passage and maturation patterns--"coming of age"--in Shakespeare's plays. Citing examples from virtually the entire Shakespeare canon, she pays particular attention to the way his characters grow and change at points of personal crisis. Among the crises Garber discusses are: separation from parent or sibling in preparation for sexual love and the choice of husband or wife; the use of names and nicknames as a sign of individual exploits or status; virginity, sexual initiation and the acceptance of sexual maturity, childbearing and parenthood; and, finally, attitudes toward death and dying. |
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Page 5
... Lear and Kent all indicate a wish for reunion with a loved one after death . Con- sider in particular Antony's words on learning the ( false ) news that Cleopatra is dead : ' I come , my queen . . . . Stay for me . / Where souls do ...
... Lear and Kent all indicate a wish for reunion with a loved one after death . Con- sider in particular Antony's words on learning the ( false ) news that Cleopatra is dead : ' I come , my queen . . . . Stay for me . / Where souls do ...
Page 6
... that give delight and hurt not . Indeed there is no need to confine our concept of such sacred zones to the comedies and romances ; the heaths in Lear and Macbeth and the fertile world of 6 COMING OF AGE IN SHAKESPEARE.
... that give delight and hurt not . Indeed there is no need to confine our concept of such sacred zones to the comedies and romances ; the heaths in Lear and Macbeth and the fertile world of 6 COMING OF AGE IN SHAKESPEARE.
Page 7
Marjorie Garber. heaths in Lear and Macbeth and the fertile world of Egypt are equally set apart and equally representative of territorial ( and psychological ) passage . Northrop Frye calls this kind of place a ' green world ' . Alvin ...
Marjorie Garber. heaths in Lear and Macbeth and the fertile world of Egypt are equally set apart and equally representative of territorial ( and psychological ) passage . Northrop Frye calls this kind of place a ' green world ' . Alvin ...
Page 23
... Lear , or Benedick , each in his own generic context , and , to a lesser but still important extent , of the lords in Love's Labor's Lost , Kate in The Taming of the Shrew , Olivia in Twelfth Night - to cite a random few . Macbeth , too ...
... Lear , or Benedick , each in his own generic context , and , to a lesser but still important extent , of the lords in Love's Labor's Lost , Kate in The Taming of the Shrew , Olivia in Twelfth Night - to cite a random few . Macbeth , too ...
Page 24
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Contents
SEPARATION AND INDIVIDUATION | 30 |
PLAIN SPEAKING | 80 |
WOMENS RITES | 116 |
COMPARISON AND DISTINCTION | 174 |
Lenvoy | 242 |
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Common terms and phrases
acceptance action Antony appears audience bear becomes begins brother Brutus Caesar characters child choice Claudio close comes comparison contrast Coriolanus course daughter dead death described effect example face fact father figures final followed give glass Hamlet hand hear Henry Hero human husband identity individual initiation Juliet kind king Lady language live look lost lovers Macbeth marriage married maturity means Measure metaphor mind mirror mother nature never night noted observed offers once pattern perhaps plain play present Press Prince rhetoric Richard ring rites ritual role Romeo says scene seems seen sense separation sexual Shakespeare's similar social society soliloquy speak speech stage suggests symbolic tell thee thing thou tion tragedy truth turn twinned virginity wife woman women York young