Of your soft cheveril a conscience would receive, Anne. Nay, good troth, Old L. Yes, troth, and troth,-You would not be a queen? Anne. No, not for all the riches under heaven. Old L. 'Tis strange: a three-pence bow'd would hire me, Old as I am, to queen it: But, I pray you, What think you of a duchess? have you limbs To bear that load of title? Old L. Then you are weakly made: Pluck off a little ; Þ I would not be a young count in your way, For more than blushing comes to: if your back Anne. How you do talk! I swear again, I would not be a queen For all the world. Old L. In faith, for little England You'd venture an emballing: I myself Would for Carnarvonshire, although there 'long'd No more to the crown but that. Lo, who comes here? Enter the Lord Chamberlain. b Cham. Good morrow, ladies. What wer 't worth to know The secret of your conference? Anne. My good lord, Not your demand; it values not your asking : Cham. It was a gentle business, and becoming Anne. Now I pray God, amen! a Cheveril-kid-skin. So in Romeo and Juliet, " O, here's a wit of cheveril, that stretches from an inch narrow to an ell broad." Pluck off a little-descend a little: You refuse to be a queen, a duchess, try a count. c Anne would not be a queen "for all the world ;"—but you would, says the old lady," for little England ;"-I" would for Carnarvonshire "—for one Welsh county. a Cham. You bear a gentle mind, and heavenly blessings Follow such creatures. That you may, fair lady, Perceive I speak sincerely, and high note's Ta'en of your many virtues, the king's majesty Commends his good opinion of you to you, and b Does purpose honour to you no less flowing Than marchioness of Pembroke; to which title A thousand pound a-year, annual support, Out of his grace he adds. What kind of my obedience I should tender, More worth than empty vanities; yet prayers, and wishes, Cham. Lady, I shall not fail to improve the fair conceit The king hath of you. I have perus'd her well; [Aside. That they have caught the king: and who knows yet, To lighten all this isle !—I'll to the king, And say, I spoke with you. Anne. My honour'd lord. [Exit Lord Chamberlain. Old L. Why, this it is; see, see! I have been begging sixteen years in court, (Am yet a courtier beggarly,) nor could Come pat betwixt too early and too late, For any suit of pounds: and you, (O fate!) a High note's. In the original, high notes ;—we understand it "that high note is taken," &c. b We print this line as in the original. The modern editors have silently dropped "of you." They hate the twelve-syllable verse,-one of the most marked peculiarities of our dramatic poetry when it threw off the shackles of the blank-verse which preceded Shakspere. A very fresh-fish here, (fie, fie, fiea upon This compell'd fortune!) have your mouth fill'd up, Anne. This is strange to me. Old L. How tastes it? is it bitter? forty pence, no.b That would not be a queen, that would she not, Old L. With your theme, I could O'ermount the lark. The marchioness of Pembroke! A thousand pounds a-year! for pure respect; No other obligation: By my life, That promises more thousands: Honour's train Anne. Good lady, Make yourself mirth with your particular fancy, To think what follows. The queen is comfortless, and we forgetful Old L. What do you think me? SCENE IV.—A Hall in Blackfriars. [Exeunt. Trumpets, sennet, and cornets. Enter Two Vergers, with short silver wands; next them, Two Scribes, in the habits of doctors; after them, the ARCHBISHOP OF CANTERBURY alone; after him, the BISHOPS OF LINCOLN, Ely, RoCHESTER, and SAINT ASAPH; next them, with some small distance, follows a Gentleman bearing the purse, with the great seal, and a cardinal's hat; then Two Priests, bearing each a silver cross; then a Gentleman-Usher bareheaded, a The third fie has been rejected from the same love of monotony. b The old lady, whose gossip is most characteristic, would lay a wager of forty pence. accompanied with a Sergeant-at-Arms, bearing a silver mace; then Two Gentlemen, bearing two great silver pillars; after them, side by side, the Two CARDINALS, WOLSEY and CAMPEIUS; Two Noblemen with the sword and mace. [Then enter the KING and QUEEN, and their Trains.] The KING takes place under the cloth of state; the Two CARDINALS sit under him as judges. The QUEEN takes place at some distance from the KING. The BISHOPS place themselves on each side the court, in manner of a consistory; below them, the Scribes. The Lords sit next the BISHOPS. The Crier and the rest of the Attendants stand in conveneint order about the stage. Wol. Whilst our commission from Rome is read, Let silence be commanded. K. Hen. What's the need? It hath already publicly been read, Wol. Be 't so:-Proceed. Scribe. Say, Henry king of England, come into the court. Crier. Henry king of England, &c. K. Hen. Here. Scribe. Say, Katharine queen of England, come into the court. Crier. Katharine queen of England, &c. [The QUEEN makes no answer, rises out of her chair, goes about the court, comes to the KING, and kneels at his feet; then speaks. Q. Kath. Sir, I desire you, do me right and justice; And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; having here And take your good grace from me? Heaven witness, I have been to you a true and humble wife, Ever in fear to kindle your dislike, Yea, subject to your countenance; glad, or sorry, Or made it not mine too? Or which of your friends To the sharpest kind of justice. Please you, sir, That they had gather'd a wise council to them Of every realm, that did debate this business, Who deem'd our marriage lawful: Wherefore I humbly Be by my friends in Spain advis'd; whose counsel Your pleasure be fulfill'd! Wol. You have here, lady, a There is a licence of construction here-one of the many elliptical expressions with which the play abounds. Aught is required to be repeated—Aught “against your sacred person." |