delightful, the sight of which, when guilty, chilled him with horror, and he scruples not to relate the story of his conversion to those who, passing that way, are sure to partake his hospitality. This story was never seen since that day by any one. DELLA CRUSCA VERSES. AMONG many other undeserved praises I received at generous Florence, I select these from Mr. Merry, whom we called Della Crusca, because he was a member of their academy: "Oh you! whose piercing azure eye Reads in each heart the feelings there; Our transports and our woes can share; "Oh deign to accept the verse sincere Nor view the madman with a frown These were sincere verses indeed; for he wanted me not to join the Greatheeds and Parsons and Piozzi, who were all persuading him to go home, and not fling any more time away in prosecuting his dangerous passion for Lady Cowper; while the Grand Duke himself was his rival. I answered his application, poor fellow! in the concluding verses of our "Florence Miscellany." They wanted it larger; so I said: The book's imperfect you declare, And Piozzi has not given her share; Composed of whim, and mirth, and satire, More clear than bright, less sweet than plain. Thou first; to sooth whose feeling heart The Muse bestowed her lenient art; Accept her counsel, quit this coast On foreign ears be poured in vain; * Meanwhile for Bertie Fate prepares Thou toot; who oft has strung the lyre But haste to Britain's chaster isle, But let her weaker bloom disclose The beauties of a hot-house rose: Mr. Greatheed. She describes him as completely under the influence of his wife, the charming Anna. In the "Baviad and Moviad "he is called the Rubens of the Della Cruscan school. His tragedy, "The Regent," was acted in 1788. † Parsons. Whose leaves no insects ever haunted, And cheer the safe domestic fire. Now scarce call any place my own As wanting in his country's love: * An obvious anachronism. There is something like the thought towards the conclusion of the Ninth Book of Plato's Republic. |