Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 30
... writes : Most of the errors of philosophers have arisen from considering the human being in a point of view too detailed and circumscribed . He is not a moral , and an intellectual , -but also , and pre - eminently , an imagin- ative ...
... writes : Most of the errors of philosophers have arisen from considering the human being in a point of view too detailed and circumscribed . He is not a moral , and an intellectual , -but also , and pre - eminently , an imagin- ative ...
Page 56
... writes : The immediate emotions of his [ man's ] nature , especially in its most inartificial state , prompt him to inflict pain , and to arrogate dominion . He desires to heap superfluities to his own store , although others perish ...
... writes : The immediate emotions of his [ man's ] nature , especially in its most inartificial state , prompt him to inflict pain , and to arrogate dominion . He desires to heap superfluities to his own store , although others perish ...
Page 196
... writes in 1816 : ' This is the difference between social and individual man . Not that this distinction is to be considered definite , or characteristic of one human being as compared with another . It denotes rather two classes of ...
... writes in 1816 : ' This is the difference between social and individual man . Not that this distinction is to be considered definite , or characteristic of one human being as compared with another . It denotes rather two classes of ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth