Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 16
... relation to whom other philosophers of this period defined their work . Hume's A Treatise of Human Nature ( 1739 ) is subtitled An Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects14 and looked to Bacon for ...
... relation to whom other philosophers of this period defined their work . Hume's A Treatise of Human Nature ( 1739 ) is subtitled An Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects14 and looked to Bacon for ...
Page 160
... relation between the poetic sensibility and contemporary political events can be abstracted from the portrait . It exemplifies Shelley's sense of the Revolution as a result of the unbalanced relation between opinion and political ...
... relation between the poetic sensibility and contemporary political events can be abstracted from the portrait . It exemplifies Shelley's sense of the Revolution as a result of the unbalanced relation between opinion and political ...
Page 216
... relation to the ' Ode to the West Wind ' , that underlies the representation of the poet in terms approaching martyrdom in the later poetry . In the figure of Lionel Shelley had depicted the close relation between the poet's psychology ...
... relation to the ' Ode to the West Wind ' , that underlies the representation of the poet in terms approaching martyrdom in the later poetry . In the figure of Lionel Shelley had depicted the close relation between the poet's psychology ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth