Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
From inside the book
Results 1-3 of 15
Page 40
... noted Byron's ' empire over the public mind'.116 Similarly , describing the im- mediate impact on society of Byron's work , Scott talks of ' the impulse received by the public mind'.117 Likewise , a review of Massinger's plays that ...
... noted Byron's ' empire over the public mind'.116 Similarly , describing the im- mediate impact on society of Byron's work , Scott talks of ' the impulse received by the public mind'.117 Likewise , a review of Massinger's plays that ...
Page 47
... noted feminine appearance and passivity of Shelley's poets repeat similar traits in Henry Mackenzie's The Man Of Feeling ( 1771 ) , 20 James Beattie's poem The Minstrel ( 1771-4 ) , 21 and Godwin's novel , Fleetwood ; or , the New Man ...
... noted feminine appearance and passivity of Shelley's poets repeat similar traits in Henry Mackenzie's The Man Of Feeling ( 1771 ) , 20 James Beattie's poem The Minstrel ( 1771-4 ) , 21 and Godwin's novel , Fleetwood ; or , the New Man ...
Page 96
... noted the similarity between the idealized poet of Alastor and figures derived from the sensibility tradition , such as the hero of Godwin's Fleetwood , " James Beattie's Edwin , the hero of his study of the poetic identity The Minstrel ...
... noted the similarity between the idealized poet of Alastor and figures derived from the sensibility tradition , such as the hero of Godwin's Fleetwood , " James Beattie's Edwin , the hero of his study of the poetic identity The Minstrel ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
5 other sections not shown
Other editions - View all
Common terms and phrases
active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth