Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 36
... imagination , and his argument on the nature of belief , are not consistent . Hume's argument about the differences between sensation , memory , and imagination can only reduce to their being different because they feel different . In ...
... imagination , and his argument on the nature of belief , are not consistent . Hume's argument about the differences between sensation , memory , and imagination can only reduce to their being different because they feel different . In ...
Page 104
... imagination , refuse to surrender their ideal conceptions and may succumb to madness or death : 22 ' Author ... Imagination ; on the Frenzy of Tasso and Collins ' , in Literary Hours ; or , Sketches Critical and Narrative ( London , 1798 ) ...
... imagination , refuse to surrender their ideal conceptions and may succumb to madness or death : 22 ' Author ... Imagination ; on the Frenzy of Tasso and Collins ' , in Literary Hours ; or , Sketches Critical and Narrative ( London , 1798 ) ...
Page 176
... imagination at will embodies all the optimism of Shelley's science of mind . In effect , she totally reconstructs herself by force of imagination into the magically effective heroine who causes a revolution through her personal ...
... imagination at will embodies all the optimism of Shelley's science of mind . In effect , she totally reconstructs herself by force of imagination into the magically effective heroine who causes a revolution through her personal ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth