Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 35
... facts . How came many of those facts to be called indisputable ? What sanction- ing correspondence unites a concatenation of syllogisms ? Their prom- ises of deducing all systems from facts has [ sic ] too often been performed by ...
... facts . How came many of those facts to be called indisputable ? What sanction- ing correspondence unites a concatenation of syllogisms ? Their prom- ises of deducing all systems from facts has [ sic ] too often been performed by ...
Page 138
... fact that Alastor is about the nature of the mental processes involved in creation , not about a conflict of supposed natural and visionary impulses within Shelley , is evident from the fact that the narrator repeats , in the course of ...
... fact that Alastor is about the nature of the mental processes involved in creation , not about a conflict of supposed natural and visionary impulses within Shelley , is evident from the fact that the narrator repeats , in the course of ...
Page 200
... fact that the historical Maddalo was responsible for the confinement of Tasso , one of the models for the maniac of Julian and Maddalo , may well have suggested to Byron and others in the literary circles of the time that the figure of ...
... fact that the historical Maddalo was responsible for the confinement of Tasso , one of the models for the maniac of Julian and Maddalo , may well have suggested to Byron and others in the literary circles of the time that the figure of ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth