Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 22
... evidence of Shelley reading Bacon during 1816. In short , together with the date of late 1815 for the work on dreams , which , as has been suggested , probably post - dates the other pieces , the evidence , however inconclusive ...
... evidence of Shelley reading Bacon during 1816. In short , together with the date of late 1815 for the work on dreams , which , as has been suggested , probably post - dates the other pieces , the evidence , however inconclusive ...
Page 37
... evidence of the senses ' has as a corollary a conception of belief as an involuntary passion of the mind whose strength ' is in propor- tion to the degrees of excitement ' ( J v . 207 ) . The degree of conviction of which anything is ...
... evidence of the senses ' has as a corollary a conception of belief as an involuntary passion of the mind whose strength ' is in propor- tion to the degrees of excitement ' ( J v . 207 ) . The degree of conviction of which anything is ...
Page 206
... evidence , 103 Duffy shows the refer- ence is no proof that Shelley read the Confessions at this time . Similarly , Duffy demonstrates that Shelley not only read Rousseau's autobiographical Rêveries du promeneur solitaire ( 1782 ) 104 ...
... evidence , 103 Duffy shows the refer- ence is no proof that Shelley read the Confessions at this time . Similarly , Duffy demonstrates that Shelley not only read Rousseau's autobiographical Rêveries du promeneur solitaire ( 1782 ) 104 ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staël suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth