Embodying Revolution: The Figure of the Poet in ShelleyClarendon Press, 1989 - 300 pages A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age. |
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Page 143
... Byron , were associated with an aesthetic that saw the poet as both deeply introspective and potentially revolutionary . This developing aesthetic in the re- views , mainly from the period of the publication of Byron's verse - romances ...
... Byron , were associated with an aesthetic that saw the poet as both deeply introspective and potentially revolutionary . This developing aesthetic in the re- views , mainly from the period of the publication of Byron's verse - romances ...
Page 144
... Byron and Shelley on each other , each suffers from an over - schematic view of the two poets ' literary and ... Byron's pessimism , excepting the writing of the third canto of Childe Harold's Pilgrimage , " written under Shelley's ...
... Byron and Shelley on each other , each suffers from an over - schematic view of the two poets ' literary and ... Byron's pessimism , excepting the writing of the third canto of Childe Harold's Pilgrimage , " written under Shelley's ...
Page 164
... Byron . Moreover , Shelley advocated that Byron should ' subdue ' himself to the task of harnessing the revolutionary powers within him to reformist non - violent ends.86 It may have been the description of Byron in a review by Francis ...
... Byron . Moreover , Shelley advocated that Byron should ' subdue ' himself to the task of harnessing the revolutionary powers within him to reformist non - violent ends.86 It may have been the description of Byron in a review by Francis ...
Contents
SelfAnalysis and Sensibility | 13 |
The Literary Context of Sensibility | 44 |
Questions of Personal Identity | 65 |
Copyright | |
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active power Adonais aesthetic Alastor attrib beautiful becomes Childe Harold's Pilgrimage Coleridge Critical David Hume Defence destructive dream Edinburgh Review embodies emphasis added English Epipsychidion expression feeling figure forces fragment French Revolution Glenarvon Godwin History human mind human nature Hume Hume's Ibid ideal idol imagination influence intense introspective John Julian and Maddalo KSMB Literature Lord Byron madness Mandeville maniac Mary Mary Shelley Metaphysics mind's moral Mutability notion object Oxford passion passive Percy Bysshe Shelley personal identity Philosophical PMLA poem poet poet's poetic poetry political Prince Athanase Prometheus Unbound Quarterly Review reading refinement relation Revolt of Islam Revolution Rousseau science of mind self-analysis sense sensibility sensitive shape all light Shelley adds Shelley describes Shelley writes Shelley's Alastor Shelley's conception Shelley's Prose Shelley's science Similarly social Staƫl suggests sympathy Tasso thought tion Torquato Tasso trans University Press violent vols London William Wordsworth