You pass at once into a green, A green and lightsome glade. And there Lord Julian sate on steed; Behind him, in a round, Stood knight and squire, and menial train ; Against the leash the greyhounds strain; The horses paw'd the ground. When up the alley green, Sir Hugh And mute, without a word, did he Fall in behind his lord. Lord Julian turn'd his steed half round.— "What! doth not Alice deign To accept your loving convoy, knight? With stifled tones the knight replied, 66 Nay, let the hunt proceed!— The Lady's message that I bear, I guess would scantly please your ear, "You sent betimes. Not yet unbarr'd "I came unlook'd for: and, it seem'd,, In an unwelcome hour; And found the daughter of Du. Clos "But hush! the rest may wait.. If lost,. No great loss, I divine; And idle words will better suit. A fair maid's lips than mine." "God's wrath! speak out, man," Julian cried, O'ermaster'd by the sudden smart ;— And feigning wrath,, sharp, blunt, and rude, The knight his subtle shift pursued."Scowl not at me ;, command my skill, To lure your hawk back, if you will, But not a woman's heart. "Go!' (said she)' tell him,-slow is sure; Fair speed his shafts to-day! I follow here a stronger lure, And chase a gentler prey.' "The game, pardie, was full in sight, That then did, if I saw aright, The fair dame's eyes engage; For turning, as I took my ways, The last word of the traitor knight It had but enter'd Julian's ear,— From two o'erarching oaks between, A youth, that ill his steed can guide ; As answering to a voice, That seems at once to laugh and chide— "Not mine, dear mistress," still he cried, ""Tis this mad filly's choice." With sudden bound, beyond the boy, That regal front! those cheeks aglow ! Thou lovely child of old Du Clos ! Dark as a dream Lord Julian stood, With fatal aim, and frantic force, The shaft was hurl'd !—a lifeless corse, THE KNIGHT'S TOMB. WHERE is the grave of Sir Arthur O'Kellyn? may the grave of that good man be? Where By the side of a spring, on the breast of Helvellyn, Under the twigs of a young birch tree! And his good sword rust ;— His soul is with the saints, I trust.* EA HYMN TO THE EARTH. HEXAMETERS. ARTH! thou mother of numberless children, the nurse and the mother, Hail! O Goddess, thrice hail! Blest be thou! and, blessing, I hymn thee! Forth, ye sweet sounds! from my harp, and my voice shall float on your surges— Soar thou aloft, O my soul! and bear up my song on thy pinions. * The last three lines were quoted in the romance of Ivanhoe (1820), vol. i. p. 156, while this fragment was still unpublished, as follows: "To borrow lines from a contemporary poet, who has written but too little : "The Knights are dust, And their good swords are rust, Their souls are with the saints, we trust." From this circumstance Coleridge was convinced that Scott was the author of the Waverley Novels. The lines were composed as an experiment for a metre, and repeated by the author to a mutual friend, who repeated them again at a dinner party to Scott, on the following day. (See Gillman's Life of Coleridge, page 277.) Travelling the vale with mine eyes-green meadows and lake with green island, Dark in its basin of rock, and the bare stream flowing in brightness, Thrill'd with thy beauty and love in the wooded slope of the mountain, Here, great mother, I lie, thy child, with his head on thy bosom ! Playful the spirits of noon, that rushing soft through thy tresses, Green-hair'd goddess! refresh me; and hark! as they hurry or linger, Fill the pause of my harp, or sustain it with musical murmurs. Into my being thou murmurest joy, and tenderest sadness Shedd'st thou, like dew, on my heart, till the joy and the heavenly sadness Pour themselves forth from my heart in tears, and the hymn of thanksgiving. Earth thou mother of numberless children, the nurse and the mother, Sister thou of the stars, and beloved by the Sun, the rejoicer ! Guardian and friend of the moon, O Earth, whom the comets forget not, Yea, in the measureless distance wheel round and again they behold thee! Fadeless and young (and what if the latest birth of creation ?) |