Dramatic Miscellanies: Consisting of Critical Observations on Several Plays of Shakespeare: With a Review of His Principal Characters, and Those of Various Eminent Writers, as Represented by Mr. Garrick and Other Celebrated Comedians. With Anecdotes of Dramatic Poets, Actors, &c, Volume 2The author, 1783 |
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Page 44
... rich eloquence of Dryden's harmonious verfes , they are obliged rich 44 DRAMATIC MISCELLANIES . Others thought the impropriety of the fto- ...
... rich eloquence of Dryden's harmonious verfes , they are obliged rich 44 DRAMATIC MISCELLANIES . Others thought the impropriety of the fto- ...
Page 45
... rich eloquence of Dryden's harmonious verfes , they are obliged to part for ever . The Unnatural Combat of Maflinger , one of his most finished pieces , is for ever ex- cluded the theatre for a like reason . Smith's Phædra and ...
... rich eloquence of Dryden's harmonious verfes , they are obliged to part for ever . The Unnatural Combat of Maflinger , one of his most finished pieces , is for ever ex- cluded the theatre for a like reason . Smith's Phædra and ...
Page 48
... rich matter , fine fpleen , and choleric humour , from old Lafeu . His diftrefs , when blinded , is of the most whimsical fort , and the acute invention of his answers , to the interpreter's interroga- tories , afford perpetual laughter ...
... rich matter , fine fpleen , and choleric humour , from old Lafeu . His diftrefs , when blinded , is of the most whimsical fort , and the acute invention of his answers , to the interpreter's interroga- tories , afford perpetual laughter ...
Page 67
... rich , but neither happy nor refpected . However , I believe he thought that he had a right to that of which he had acquired poffeffion . E 2 The The frequent rehearsal of this comedy was a convincing proof EVERY MAN IN HIS HUMOUR . 67.
... rich , but neither happy nor refpected . However , I believe he thought that he had a right to that of which he had acquired poffeffion . E 2 The The frequent rehearsal of this comedy was a convincing proof EVERY MAN IN HIS HUMOUR . 67.
Page 70
... Rich , who immediate- ly fixed her in his company by articles of agreement . Her firft appearance , at Co- vent - Garden theatre , was in Cordelia , the winter ensuing , when Quin acted Lear . Though this actress was very attractive in ...
... Rich , who immediate- ly fixed her in his company by articles of agreement . Her firft appearance , at Co- vent - Garden theatre , was in Cordelia , the winter ensuing , when Quin acted Lear . Though this actress was very attractive in ...
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Dramatic Miscellanies: Consisting of Critical Observations on ..., Volume 1 Thomas Davies No preview available - 2018 |
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acted actor affumed againſt almoſt Antony audience Banquo Beaumont and Fletcher beſt Booth Brutus Caffius Catiline character Cibber Cicero Cleopatra Colley Cibber comedians comedy confequence Cordelia death Edgar Engliſh expreffion faid fame fatire fays fcene feems feveral fhall fhould fince firft firſt fituation flaves fome foon fpectators fpirit ftage ftill fubject fuch fuperior fuppofe fupport furely Garrick greateſt himſelf honour humour huſband Johnſon Jonfon Julius Cæfar King Lady Lady Macbeth laft laſt Lear Leonard Diggs Macbeth Mark Antony maſter moft moſt murder muſt Notwithſtanding obferve paffage paffion perfon play players pleaſe pleaſure poet Pompey preſent racters raiſed reaſon repreſentation repreſented reſembling Reſtoration revived Rofcius Roman Roman actors ſay ſcene ſeems Sejanus Shakspeare Shakspeare's ſhe Silent Woman ſkill ſpeak ſpoken ſtage ſtate Steevens ſuch ſuppoſe taſte theatre thefe theſe thofe thoſe tion tragedy uſe Volpone whofe wife Wilks word writer
Popular passages
Page 315 - tis fittest. Cor. How does my royal lord? How fares your majesty? Lear. You do me wrong, to take me out o' the grave. — Thou art a soul in bliss ; but I am bound Upon a wheel of fire, that mine own tears Do scald like molten lead.
Page 20 - element,' but the word is over-worn. \Exit. Vio. This fellow is wise enough to play the fool ; And to do that well craves a kind of wit : He must observe their mood on whom he jests, The quality of persons, and the time, And, like the haggard, check at every feather That comes before his eye.
Page 147 - What hands are here ? ha ! they pluck out mine eyes. Will all great Neptune's ocean wash this blood Clean from my hand ? No, this my hand will rather The multitudinous seas incarnadine, Making the green one red.
Page 253 - He only, in a general honest thought, And common good to all, made one of them. His life was gentle, and the elements So mix'd in him that Nature might stand up And say to all the world, 'This was a man!
Page 263 - I was many years ago so shocked by Cordelia's death, that I know not whether I ever endured to read again the last scenes of the play till I undertook to revise them as an editor.
Page 278 - Garrick rendered the curse so terribly affecting to the audience, that, during his utterance of it, they seemed to shrink from it as from a blast of lightning. His preparation for it was extremely affecting; his throwing away his crutch, kneeling on one knee, clasping his hands together, and lifting his eyes towards heaven, presented a picture worthy the pencil of a Raphael.
Page 262 - A play in which the wicked prosper, and the virtuous miscarry, may doubtless be good, because it is a just representation of the common events of human life ; but since all reasonable beings naturally love justice, I cannot easily be persuaded, that the observation of justice makes a play worse ; or, that if other excellences are equal, the audience will not always rise better pleased from the final triumph of persecuted virtue.
Page 279 - His pauses and broken interruptions of speech, of which he was extremely enamored, sometimes to a degree of impropriety, were at times too inartificially repeated ; nor did he give that terror to the whole which the great poet intended should predominate. THOMAS DAVIES : ' Dramatic Miscellanies,
Page 351 - ANT. Come on, my soldier! Our hearts and arms are still the same: I long Once more to meet our foes, that thou and I, Like Time and Death, marching before our troops, May taste fate to 'em; mow 'em out a passage, And, ent'ring where the foremost squadrons yield, Begin the noble harvest of the field.