An Essay on the Tragedy of Hamlet: Embracing a View of Hamlet's Character--his Feigned Or Real Madness--conduct to Ophelia--the Soliloquy on Suicide, &c., &c., Interspersed with Reflections on the Writings and Genius of ShakespeareCunningham and Mortimer, 1843 - 79 pages |
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Page 5
... elegance and splendour of classic erudition . The first scene of the play is principally occupied by the ap- pearance of the ghost . Horatio and Marcellus , the school- fellows of Hamlet , at the solemn hour of midnight meet with ...
... elegance and splendour of classic erudition . The first scene of the play is principally occupied by the ap- pearance of the ghost . Horatio and Marcellus , the school- fellows of Hamlet , at the solemn hour of midnight meet with ...
Page 12
... elegant but unfortunate Rousseau , with the high - minded and self - exiled Byron : -- infinite in his knowledge of the human heart , Shakspere has drawn Hamlet faithful to na- ture , and though his sentiments are tinged with an aspect ...
... elegant but unfortunate Rousseau , with the high - minded and self - exiled Byron : -- infinite in his knowledge of the human heart , Shakspere has drawn Hamlet faithful to na- ture , and though his sentiments are tinged with an aspect ...
Page 18
... elegant author , " that almost all maniacs have become so , between twenty and forty years old ; that very few have lost their reason either before or after this stormy period of life , wherein men yielding by turns to the torments of ...
... elegant author , " that almost all maniacs have become so , between twenty and forty years old ; that very few have lost their reason either before or after this stormy period of life , wherein men yielding by turns to the torments of ...
Page 23
... elegant and learned Schlegel . 99 says Goëthé , “ that Shakspere's intention was to exhibit the effects of a great action , imposed as a duty upon a mind too feeble for its accomplishment . In this sense I find the character consist ...
... elegant and learned Schlegel . 99 says Goëthé , “ that Shakspere's intention was to exhibit the effects of a great action , imposed as a duty upon a mind too feeble for its accomplishment . In this sense I find the character consist ...
Page 31
... sensibility : - upon Hamlet leaving her , Ophelia gives utterance to her distress , alluding at the same time , with great beauty , to the elegant and polished manners of her lover . O , what a noble mind is here o'erthrown ! 31.
... sensibility : - upon Hamlet leaving her , Ophelia gives utterance to her distress , alluding at the same time , with great beauty , to the elegant and polished manners of her lover . O , what a noble mind is here o'erthrown ! 31.
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Common terms and phrases
alluding amidst amongst ancient ancient Greece bard beauty breast character of Hamlet choly circumstances Claudius considered contemplating courtier dead deep deepest deeply delineation Denmark disposition dramas of Shakspere elegant English hearts excited father father's death feelings feigned insanity follies genius of Shakspere ghost giving grave Hamlet's character Henry Henry VI Horatio human heart imagination immortal poet influence intellectual interest interview justly observed King King of Denmark Laertes late look Macbeth madness Malone mankind Mark Antony meditation melan melancholy mind mock play moral mother mournful murder nature noble NOTE notwithstanding Ophelia passions perhaps philosophic Plato poet's Polonius possessed powers present day prevails Prince profound Queen reflections remarkable remembrance rendered retributive justice revenge Robert Burns Rosencrantz and Guildenstern rude sadness says scene sentiments Shak Shakspere's soliloquy soul spere spirit suicide thee thou thought tion unhappy usurper Vortigern whilst Winter's Tale writer youth
Popular passages
Page 21 - I have neither the scholar's melancholy, which is emulation ; nor the musician's which is fantastical ; nor the courtier's, which is proud ; nor the soldier's, which is ambitious ; nor the lawyer's, which is politic ; nor the lady's, which is nice ; nor the lover's, which is all these...
Page 38 - Why, look you now, how unworthy a thing you make of me ! You would play upon me ; you would seem to know my stops ; you would pluck out the heart of my mystery ; you would sound me from my lowest note to the top of my compass : and there is much music, excellent voice, in this little organ ; yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe ? Call me what instrument you will, though you can fret me, you cannot play upon me.
Page 32 - O, what a noble mind is here o'erthrown! The courtier's, soldier's, scholar's, eye, tongue, sword; The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Page 9 - Seems, madam! nay, it is; I know not 'seems.' 'Tis not alone my inky cloak, good mother, Nor customary suits of solemn black...
Page 73 - ild you! They say the owl was a baker's daughter. Lord! we know what we are, but know not what we may be.
Page 27 - The spirit that I have seen May be the devil : and the devil hath power To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, — As he is very potent with such spirits, — Abuses me to damn me: I'll have grounds More relative than this: — the play's the thing Wherein I'll catch the conscience of the king.
Page 35 - And crook the pregnant hinges of the knee Where thrift may follow fawning. Dost thou hear ? Since my dear soul was mistress of her choice, And could of men distinguish, her election Hath seal'd thee for herself...
Page 22 - I have of late — but wherefore I know not — lost all my mirth, forgone all custom of exercises; and indeed it goes so heavily with my disposition that this goodly frame, the earth, seems to me a sterile promontory...
Page 65 - Then let us pray that come it may, As come it will for a' that ; That sense and worth, o'er a' the earth, May bear the gree, and a' that. For a
Page 47 - Of crow-flowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do dead men's fingers call them: There, on the pendent boughs her coronet weeds Clambering to hang, an envious sliver broke, When down her weedy trophies and herself Fell in the weeping brook.