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luable as a source of amusement, but | bule, he may become virtuous, be

they may be esteemed as our best instructors,next to experience, through life. Oral advice loses its influence through a variety of causes. The teacher's delicacy too often induces him to spare the feelings of one, who has rendered himself obnoxious to reproof; and the pupil, in return, will contemn the precepts of him, whose moral character is not superiour to his own. But that advice, which is presented to us by the pen of the moralist, is devested of all personal considerations. He need not be penurious of censure, who knows not whom it will offend; nor will the false pride of another be wounded, who forms resolutions of amendment in the obscurity of his own closet. Ethological works constitute a sort of altar, where the ingenuous student may confess his faults; and if he turn not away from the vesti

mind, some taste for literature I consider, as indispensably necessary. It is a sight worthy of the contemplation of angels, to

fore the world shall know that he has been vitious.

"It is the peculiar advantage of this enjoyment, that it is not indebted either to time or place, for the fascination it possesses.'

Whether the student trim his midnight lamp, amid the tumult and smoke of the city, or indulge his fanсу, beneath the shade of beechen boughs, let him be surrounded by his books, and his pleasure is still the same. They have power to dispel the gloom of distress, by lifting up the discontented countenance, and brightening the heavy brow with cheerfulness. What is more delightful, my dear Anthes, than to know, that in every vicissitude of fortune, to which fate has doomed us, we shall still find a friend? In the deepest gloom of adversity, or amid the tu mults of joy, books teach the resignation of fortitude, or give a proper degree of moderation to the ebullitions of mirth.

"With such a taste, properly re

see the mild beams of the moon gently gulated, we are constantly surround

sleeping on the female cheek. All nature is then serene, like her own thoughts, and bright, like the lustre of her own liquid eye. Such is the influence of literature, upon the female mind. It invigorates the affections, and dispels the gloom of discontent. It cherishes the sensibility, and fortifies the virtue of woman. Unclouded by the mists of ignorance, and unsullied by the pestilential breezes of flattery, the mind of a sensible woman is irradiated by those soft tints, which shine but to diffuse the sweets of cheerfulness, and inspire the joys of tranquillity. Formed, as women are, to blunt the sharp stings of adversity, o extract its venom, from the wounds of misfortune, and add new charms to the pleasures of prosperity, no service can be too indefatigable, no fealty too obedient. It

should be the studious care of every one to burnish bright those golden links, which bind society together, and the authour of this work, while he looks forward with eager solicitude, to the reception, which his labours may experience, from female readers, whose improvement and pleasure he has sedulously consulted, hesitates not to confess, that the cheering smile of female approbation will be more flattering to his feelings, than the warmest applause of criticism.

ed with companions, who never leave us, and return with alacrity, at our call. They inform, amuse, and instruct; by describing the habits and manners of various countries, they teach us, how kingdoms have been subverted, and heroes exalted; they hold out a beacon to caution us against the impetuosity of the zealot, and the hypocrisy of the patriot; and if we would listen to the voice of the Muses, we may be conducted to fragrant bowers, where they whisper their sweetest inspirations.§"

"Ah!" replied Anthes," if my genius were so happily versatile as yours, I would cheerfully leave the merry carousal, for the retired shades

Selden, an old Lawyer, whose sterling sense is not less valuable for being ob scured by the rust of Black-Letter, has said, that patience is the chiefest fruit of study. A man that strives to make himself a different thing from other men, by much reading, gains this chiefest good,that, in all fortunes, he bath something to entertain and comfort himself withal.

this propensity. At the most critical juncture of affairs, are they to be seen roving on the banks of Strymon diverting themselves with rash bets, on the combats of cocks or quails.

of the Academus, and return to the calamity, or domestick misfortune song, and the cup, after having list-prevents them from the indulgence of ened to the philosopher. I am deeply impressed with the truth of your observations, but, unfortunately, when I would pursue the path, which prudence dictates, some envious demon steps in to allure me, by irresistible temptations, from my duty. I cannot fight against Fate."

"You mistake, my friend-you are not required to contend with your destiny; you are asked to control or subdue your inclinations. Your rank and your wealth may one day place you in the Council of the Amphictyons, where you must deliberate upon questions of the highest moment, to the interest and safety of your country. It is therefore, incumbent upon you, to discipline your mind to wisdom, and not suffer it to be enervated by idleness and dissipation."

"Well," said Anthes, I will endeavour to abandon all gaming, and abstain from the other modes of dissipation, in which I have been immersed."

Anacreon exhorted him to persevere in this resolution, and thus their

conversation ended.

Of all the people in Greece, none are now more infected with the vice of gaming than the Athenians. Immoderate in their desires, and extravagant in their pleasures, no publick

The

In the Palamedes of M. Sauter may be found a very copious list of the Grecian Games, which were numerous. See also the treatise of M. de Pauro, on the Alea veterum; as well as in the Grecia ludibunda. There is no doubt, but that dice were known among the ancients. Meursden, who was a most faborious compiler, in his Lud. Græc. mentions them. So does Eschyl. in Agam. v. 33. Plat. de Rep. lib. 6. Abbe Barthelemy mentions, that M. de Pieresc had in his possession, an antique calendar, ornamented with drawings. At the month of January, was a representation of a man, holding a dice-box, in the act of throwing the dice into a sort of tower, which is placed on the edge of a chequer board. It may be added, that the portico of Minerva, at Phaleris, is celebrated, as the principal scene of Grecian gambling.

In order to evade the rigour of the Areopagus, they retire to places beyond the jurisdiction of the police of the capitol. Thus, by bribes to the Demarchs. they obtain safe asylums at Phaleris and Sciron. At these places, and at the Symposia of the Eranes* did this young man

¶ The Anuagyo were the chief officers of the Aqua, or boroughs, of which Attica was divided into one hundred and seStrab. 19.) Their duty was, to assemble venty-four. (Eustath. note on Iliad B. the people under their jurisdiction, whose names were registered, and preside at the election of senators and magistrates, chosen by lot. Sometimes they were called Naunga and the boroughs Navngagiai being obliged, besides two horsemen, to fit: out one ship for the publick. See Har. Græc. Antiq. 33.

The greater part of the Athenians belonged to particular societies, called Eranes

which contributed both to the increase of patriotism and luxury. Each member was obliged to deposit a certain sum of money in the common treasury, and this was destined for the relief of associates, who la boured under particular misfortunes, such as inability, either in the payment of a fine, or the maintenance of credit, at a critical moment. But as soon as circumstances would permit of such an arrangement, they were obliged to refund the principal sums, without, however, being liable to either discount, or interest. Harpocrat, at the wordl ΕΡΑΝΙΣΤΗΣ.

These assemblies, often tumultuous, were sometimes subject to serious disorders. Either the directors accused the members of violating their engagements, and neglecting pay the stipulated quota, at the expirat of each month, or they, in return, were reproached with the crime of enriching themselves, at the expence of the society, by certain stratagems, which the Greeks termed subtilties but which we should call frauds. On this account, the Athenians, who had already established one tribunal for the Theatre, and another for good sayings, added a third to decide the disputes of the Eranists. This tribunal had

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His

sacrifice all the fine ornaments of a luxuriant mind, and the domestick peace of a domestick family. mistress eclipsed all the conrtesans of Athens, in the sumptuous magnificence of her car, and the rare beau-* ty of the milk-white steeds, by which she was drawn. His Eschatiæ† or vi!

a particular code of laws, which was called 'EPAIKOI NOMOI.

Their nocturnai feasts were called symposia. De Pauw, Recherch. sur les Grecs. It is presumed, that such characters as are mentioned by Critias, only attended the banquets.

†The Eschatix were rural retreats, upon the improvement of which vast sums were expended by the Athenians. There were many where the vine and the olive were cultivated, and every art was employ; ed to ripen vegetables before their natural period of maturity. Some of these possessions are said to have exceeded forty stadia or four miles in circumference. There remains a very minute account of one, which was situated in the canton of Citheron, at the foot of Mount Parnes. Its annual produce according to successive estimates amounted to five talents and sixteen minæ, or somewhat less than five thousand dollars.—Demost. Plead. against Phersippus.

Exclusive of establishments destined principally to agricultural pursuits, the dif ferent vallies contained many others which were consecrated only to pleasure. That of Herodius Atticus was considered by the ancients, as, of all others, the most romantick and enchanting. It was watered by several streams which descended from the brow of Mount Pentelichus and mur

mettus.

las, were decorated with the finest paintings, and statues, by which the ppearance of the lofty trees, that nodded from the summit of the hills, and the humble streams, that murmured through the vallies, was delightfully diversified. But his favourite retirement was at a spacious house, which he had erected on the brow of HyThis is a spot, where the bounty of Nature appears to have lavished every thing, that can inspire the mind with cheerfulness. The towering pinnacle of the mountain commands an extensive view of the greater part of the continent, of Greece, that wearies the eye with wonder. Near its base may be distinctly seen the streets of Athens, Eleusis, through a and the path to the very gates of

row of statues and mausoleums, dedicated to the memory of heroes, and ancient temples consecrated to the worship of the gods. Beyond the city, the innumerable isles that rise in the ocean, and are scauered along the western coast of Attica, are faintly distinguished from the billows, that lash their shores: the spectator beholds fleets of vessels, fluttering their white sails to the wind, and turning the waves on either side, as they direct their course around the mountain, to the ports of Egina, Corinth, or the harbour of Piræus.

There the avarice of Nature is never experienced; but all that can de

mured amid venerable woods that darken-light the eye, or gratify the sense, al

ed their windings through the vale, until they emptied into the great Cephisus in the vicinity of Athens. Spacious vistas were screened from the rays of the sum by the foliage of lofty trees; and while the eye reposed on rich verdure, the ear was charmed with the melody of birds, or soothed by the dying cadence of a distant echo. Even at at this day many fragments of inscriptions have been found there; and such ornaments were, in general, but too numerous from that spirit of excess which was so prevalent among the Greeks.-Aul Gell. Att. Noct. Philost. The Marbles of Oxford; De Pauro.

It was the sight of this expensive luxury in which the Senators, the Archons, and the Areopagites, were equally invol red, that induced Pericles to exclaim:

most spontaneously, issues from the willing earth. The busy hum of the bee inculcates the happiness of easy industry, and the warblings of the birds inspire the melody of poetry.

Hither the companions of Anthus often retired, to avoid the severity of the Philosophers, and to riot in the auxuries of wealth. They introduced their nocturnal orgies, with a pienteous supper, at which the choi

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cest viands allured the taste, and the mellow wines of Lesbos exhilarated the brain. Courtesans and female dancers were admitted to these Bacchanalian rites, and singers rehearsed, in thrilling measures, the loves of Bacchus and Ariadne.

(To be continued.)

For The Port Folio.

A TREATISE ON ORIENTAL POETRY. (Continued from page 19.) After having made these few remarks upon the Oriental images, it will be proper to say something of the figures which they produce. We will not enlarge upon the simple metaphors, as the dew of liberality, the sweet flavour of reputation, since not only the writings of the orientals are filled with them, but they are also common among other nations. The Asiatick similitudes are in general very fine and very striking, as that of violets sparkling with dew; the blue eyes of a beautiful girl in tears; of a warriour advancing at the head of his troops, with an Eagle cleaving the air and piercing the clouds with his impetuous wings;* but we cugt not to omit a noble train of comparisons which an Arabian Poet makes in the description of the horse, the greatest part of which are grand and sublime in the highest degree. He compares the hair which falls upon the forehead of his coursers to the locks of a maiden dishevelled by the wind his back, to a rock which has been polished by a torrent, which falls incessently; his tail, to that of the

They compare the foreheads of their mistresses to the morning, their locks to the night, their faces to the sun, to the moon, or the blossoms of Jessimine, their cheeks to roses or ripe fruit, their teeth to pearls, hail stones and snow drops, their eyes to the flowers of the Narcissus, their curled hair to black Scorpions, and to Hyacinths, their lips to rubies or wine, the form of their breasts to pomegranates, and the colour of them to snow, their shape to that of Pine trees, and their stature to that of a cypress, a palm tree or a javelin, &c.

robe of a bride, which negligently droops; his sides, to those of a Leopard, his neck, to the high Palmtree under which the Traveller lights a fire in the hope of succour; his front, to the relievo of a shield which the Artist has made round and even; his nostrils, to the den of the Hyena; the hair of his legs, to the feathers of a black Eagle disordered by the wind; his pace to the swiftness of a Roebuck who deceives the address of the Hunter; his gallop, to a cloud which passes swiftly over one valley to shed its rain upon another, his form, to that of a green grasshopper arising from a marsh.

The Allegory or chain of metaphors is very common among the Persian and Turkish authours, as for example, "When the whirlwind of

fear had torn the sail of their understanding, and the deluge of despair had sunk the vessel of their hope, that they might be able to emerge from the gulph of danger, and arrive at the port of safety, they turned the helm of flight and unfurled the sails of a precipitate retreat."

As to the mystical allegories and concealed sense which some writers pretend to have in the love poems of the Persians, what they say concerning them is so incredible and so absurd, that it is useless to support the subject. Let the reader judge other meaning than that which it obif the following ode can have any viously presents.

"It is now the season of Roses, my compa

nions, let us abandon our hearts to joy, This is the advice of Sages and old men : let us no longer differ from it, At present, all is gay, but the lovely season quickly passes away,

Let us sell the Sacred carpets upon which we kneel down to pray, and let us buy wine,

The air is sweet, and invites to pleasure :

Oh Heaven! send us some lively and wanton Beauties, with whom we may drink this rose coloured wine.

String the Lyre. Fortune abuses worthy

men;

But, since we contemn her, why should we not enjoy ourselves?

The Roses flourish around us, Let us fll, let us all with this agreeable liquor,

That we may extinguish the flames of Love

and desire which consume us, Oh Hafiz! it would be strange that some one could say, that we who are Nightingales remain silent during the season of Roses."

The last strophe makes an allusion to the custom which the Persian poets have to compare themselves always to the Nightingale, and to the Fable so well known in the east of the amours of the Nightingale and the Rose.

The light and playful tone which presides in this ode, certainly does not agree with the ideas of piety and devotion which many commentators are willing to draw from the Allegories upon the sensual pleasures.

The Asiatick poets love, in the utmost degree, to personify abstract terms, and to endow inanimate beings with the voice of reason. They are particularly pleased to address themselves to insensible objects, to call them to sympathize in their pains or to partake of their joy, in ordering them to carry their messages to those whom they love; in comparing their beauties and perfections to the charms with which they are smitten, as Hafiz does in this elegant ode.

"Oh sweet Zephyr! thou bringest with

thee, the balmy odour of the object of my love, from whom thou hast receiv ed this scent of musk; But take heed, do not steal, what hast thou to do with her beautiful tresses ? Ob rose! what art thou when compared to her brilliant face? she is musk itself, and thou art clothed with thorns. Oh Florid buds! what are ye when compared to her cheeks? they are always fresh, and ye quickly pass away. Oh Narcissus! how art thou to be compar ed to her languishing eyes, which dart the sweet rays of love? thou art pale and extinguished.

Oh Pine! which wavest in our Gardens, what comparison is there betwixt thee and her stature ?

Oh my Soul! what would'st thou choose, if to choose were in thy power, in preference to her love?

Come dear object of my love, come, rejoice by thy charming presence the afflicted Hafiz, if it be only for a day.†

This little Song is not unlike a Sonnet ascribed to Shakspeare, whichdeserves to be cited here as a proof that the Eastern

F

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After this short review of the oriental poetry in general we will consider it in the different subjects of which it treats, and which produce these six heads, Military virtues, Love, Grief, Instruction, Censure, and Praise. The authour flatters himself that it will not be impossible for him, to accommodate the sentiments and expressions of the Orientals to the heart and ear of the Europeans; above all, when he reflects that the poetical passages of the Sacred Writings are regarded as comprehending the greatest beauties; that what we most admire in Shakspeare and Spencer are gigantick images: in fine, that the their exalted and sometimes, even writings of Pindar, and the precious fragments of the Lyrical poets which remain to us, have been the admiration of all ages, and have the strongest resemblance to the Arabian and Persian Poetry. It is, nevertheless, true, there are beauties which cannot bẹ that in the Oriental compositions discerned in a literal translation, any more than the graces of the Greek Poems can be in the Latin versions; they both then, rather resemble the extravagant ideas and incoherence of Lunaticks.

Notwithstanding these encomiums upon the Asiatick works, our design is not to derogate from the merit of the Greek poets; on the contrary, we

imagery is not so different from the Euro-
pean as we are apt to imagine.

The forward violet thus did I chide:
"Sweet thief! whence didst thou steal
thy sweet that smells,

If not from my love's breath? The purple
pride,

Which on thy soft check for complexion.

dwells.

In my Love's veins thou hast too grossly
dyed."

The lily I condemned for thy hand,
And huds of marjoram had stol'n thy hair;
The roses fearfully on thorns did stand,
One blushing shame, another white de-
spair:

A third, nor red, nor white, had stol'n of
both,

And to his robb'ry had annex'd thy breath;
But for his theft, in pride of all his growth,
A vengeful canker eat him up to death.
But scent or colour it had stol'n from thee.
More Blowers I noted, yet I none could see,
Shakspeare's Pəcmsı

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