Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 2000 M11 9 - 494 pages Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
From inside the book
Results 1-5 of 20
Page 34
... contract of 1608(to which several playwrights were party) forbids any company member, acting alone, to publish any of the company's plays.96 Clearer still, in 1619 the King's Men got the Lord Chamberlain to forbid the publication of ...
... contract of 1608(to which several playwrights were party) forbids any company member, acting alone, to publish any of the company's plays.96 Clearer still, in 1619 the King's Men got the Lord Chamberlain to forbid the publication of ...
Page 35
... contracts not to give their plays to other companies. In , for instance, one Alonso del Castillo made an agreement with the manager Gaspar de Porres to work in the company until Shrovetide of , “and the said Alonso del ...
... contracts not to give their plays to other companies. In , for instance, one Alonso del Castillo made an agreement with the manager Gaspar de Porres to work in the company until Shrovetide of , “and the said Alonso del ...
Page 37
... contracts with Hardy in the s with clauses forbidding him to give his plays to anyone else.113 Exclusivity clauses like that in Alonso del Castillo's contract may have been generally understood as non-publishing clauses (as ...
... contracts with Hardy in the s with clauses forbidding him to give his plays to anyone else.113 Exclusivity clauses like that in Alonso del Castillo's contract may have been generally understood as non-publishing clauses (as ...
Page 44
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Page 46
You have reached your viewing limit for this book.
You have reached your viewing limit for this book.
Contents
1 | |
11 | |
13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
Other editions - View all
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2003 |
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Limited preview - 2000 |
Common terms and phrases
acting action actors aesthetic attempt Beaumont and Fletcher become beginning body century Chapter characters claims classical collection Comedies Complete continued contract copies Corneille corrected create critics culture dedication describes directions discussion distinction drama dramatic dramatists early edition eighteenth English explains expression fact figures French gesture give hand identified illustrations imagination imitation important instance Italy John Jonson kind language late later learned letters Library literary living managers manuscript means narrative nature notes offer once original performance period Plautus plays playwrights poem poet poetic poetry preface printed printers production published readers reading reflected Renaissance represented scene scenic seemed seen senses seventeenth Shakespeare similarly space spectators speech stage theatre theatrical things Thomas tion tragedy trans translation various voice writes written