Lectures on Shakespeare, Volume 1Baker and Scribner, 1848 |
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Page 14
... respect ; and that his head and heart " strove which should express him goodliest . " And the playful tender- ness of the titles , " My gentle Shakspeare , " and the " Sweet swan of Avon , " by which he was generally known , show how ...
... respect ; and that his head and heart " strove which should express him goodliest . " And the playful tender- ness of the titles , " My gentle Shakspeare , " and the " Sweet swan of Avon , " by which he was generally known , show how ...
Page 73
... respecting them . To a constant , reflecting student , they seem perpetually developing themselves , and are always undergoing apparent modifications pre- cisely corresponding to the real modifications of the student's own character ...
... respecting them . To a constant , reflecting student , they seem perpetually developing themselves , and are always undergoing apparent modifications pre- cisely corresponding to the real modifications of the student's own character ...
Page 108
... respects the present age is unquestionably ahead of preceding ages . Aware of the advance in some things , many people seem to presume , or expect , an equal advance in all . Hence the restless fanaticism of innovation and incontinence ...
... respects the present age is unquestionably ahead of preceding ages . Aware of the advance in some things , many people seem to presume , or expect , an equal advance in all . Hence the restless fanaticism of innovation and incontinence ...
Page 119
... respecting them ; why he wrote as he did , and why they spoke as they did of his writings , -questions certainly of no little interest in the history of literature , -will form the subject of a future lecture . Meanwhile , perhaps I ...
... respecting them ; why he wrote as he did , and why they spoke as they did of his writings , -questions certainly of no little interest in the history of literature , -will form the subject of a future lecture . Meanwhile , perhaps I ...
Page 121
... respecting facts , she uses the facts them- selves ; makes all her revelations through them ; and in studying those facts the mind is exercised in its integrity , all its faculties being drawn out in due proportion . In like manner art ...
... respecting facts , she uses the facts them- selves ; makes all her revelations through them ; and in studying those facts the mind is exercised in its integrity , all its faculties being drawn out in due proportion . In like manner art ...
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Common terms and phrases
abstrac Accordingly affection altogether ancient appears beauty Ben Jonson better breath character Classic Comedy of Errors conceive countess course critics culture Daugh divine doth doubtless drama duke equally excellence exem expression faculties Falstaff feelings female former genius gentle Gentlemen of Verona give grace hand happiness harmony hath heart heaven honour human Hume humour individual infinite innate inspired instruction intellectual irresistible grace laws less living look lord Love's Labour's Lost means ment mind modern art moral Nahum Tate nature ness never noble objects once passion perfect perhaps persons Petruchio play poet poet's poetry pride prince principle probably reason rich scene scorn seems sense Shak Shakspeare Shakspeare's Shylock sometimes sonnets sort soul speak spirit supposed sweet sympathies taste thing thought tion tongue true truth ture unity utter Viola virtue Warwickshire wherein whole WINTER'S TALE wisdom word worth
Popular passages
Page 223 - But love, first learned in a lady's eyes, Lives not alone immured in the brain; But, with the motion of all elements, Courses as swift as thought in every power, And gives to every power a double power, Above their functions and their offices.
Page 287 - Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all 130 The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold...
Page 36 - Anon permit the basest clouds to ride With ugly rack on his celestial face, And from the forlorn world his visage hide, Stealing unseen to west with this disgrace : » Referring to the obsequies for the dead.
Page 223 - Above their functions and their offices. It adds a precious seeing to the eye ; A lover's eyes will gaze an eagle blind ; A lover's ear will hear the lowest sound, When the suspicious head of theft is stopp'd ; Love's feeling is more soft and sensible, Than are the tender horns of cockled* snails...
Page 318 - Let me play the Fool: With mirth and laughter let old wrinkles come ; And let my liver rather heat with wine, Than my heart cool with mortifying groans. Why should a man, whose blood is warm within, Sit like his grandsire cut in alabaster?
Page 38 - And peace proclaims olives of endless age. Now with the drops of this most balmy time My love looks fresh, and Death to me subscribes, Since, spite of him, I'll live in this poor rhyme, While he insults o'er dull and speechless tribes: And thou in this shalt find thy monument, When tyrants' crests and tombs of brass are spent.
Page 30 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 317 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.
Page 62 - Stranger! henceforth be warned; and know, that pride, Howe'er disguised in its own majesty, Is littleness ; that he who feels contempt For any living thing, hath faculties Which he has never used ; that thought with him Is in its infancy.
Page 31 - They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seem'd it winter still, and, you away, As with your shadow I with these did play.