Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volume 40Gale Research Company, 1984 |
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Page 293
... lover struggling to find a literary language in which to write about his feelings , and throughout elaborates on the speaker's role as poet - lover . Following Sidney ( and Petrarch ) , Spenser , Daniel , and Drayton , as well as many ...
... lover struggling to find a literary language in which to write about his feelings , and throughout elaborates on the speaker's role as poet - lover . Following Sidney ( and Petrarch ) , Spenser , Daniel , and Drayton , as well as many ...
Page 296
... lover's comparison even more emphatically than the prominent " When . . . When . . . Then " construc- tion of Sonnet 15 makes the reader aware of the speaker's syllogistic argument . Both poems insist on their char- acter as formal ...
... lover's comparison even more emphatically than the prominent " When . . . When . . . Then " construc- tion of Sonnet 15 makes the reader aware of the speaker's syllogistic argument . Both poems insist on their char- acter as formal ...
Page 297
... lover who is poet , whose verse is the preserver of aesthetic and moral values embodied in his beloved : But I ... lover's language has created within the sonnet a verbal design ordered by his moral con- demnation of time , it has made ...
... lover who is poet , whose verse is the preserver of aesthetic and moral values embodied in his beloved : But I ... lover's language has created within the sonnet a verbal design ordered by his moral con- demnation of time , it has made ...
Contents
Gender Identity | 1 |
The Merchant of Venice | 105 |
Sonnets | 220 |
Copyright | |
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action actor Antonio appears argues audience Bassanio become begins bond calls castration characters choice Christian circumcision claims Cleopatra comedies comic conventional course critics daughter death describes desire discussion disguise Elizabethan essay example exchange father fear feel female feminine figure final flesh gender give hand heart hero heroines human husband identity interest John kind Lady less lines live London look lover Macbeth male marriage masculine means Merchant of Venice moral mother nature never offers person play plot poems political Portia possible present Press reading refer relations relationship rhetorical ring role Rosalind says scene seems sense sexual Shake Shakespeare Shylock social sonnets speak speech spirit stage suggests tell thing thou tion tragedy true turn University wife woman women York young