On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 127
... seen this episode ourselves already , in which case the re - enaction is a commentary on what we have seen . Immediately after the rehearsal of the mechani- cals in the wood , with Bottom's translation and Titania's awakening , Puck ...
... seen this episode ourselves already , in which case the re - enaction is a commentary on what we have seen . Immediately after the rehearsal of the mechani- cals in the wood , with Bottom's translation and Titania's awakening , Puck ...
Page 244
... seen , on the existing architecture of the Tiring - House . So too in the battle - sequences the plotting of entries follows a method of logical directness which is always sustained in the dialogue . We have seen too how in a large part ...
... seen , on the existing architecture of the Tiring - House . So too in the battle - sequences the plotting of entries follows a method of logical directness which is always sustained in the dialogue . We have seen too how in a large part ...
Page 248
... seen them alone together , and the issue cannot be other than dramatic ) , and the possibility of his being shipped to England.177 Other still subtler devices for knitting together the continuity , and holding continuously the ...
... seen them alone together , and the issue cannot be other than dramatic ) , and the possibility of his being shipped to England.177 Other still subtler devices for knitting together the continuity , and holding continuously the ...
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acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised