On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 13
... producers , and even sometimes by scholars , that there are many different ways of presenting Shakespeare and every ... producer , in approaching one or other of the plays , to assume that Shakespeare knew more about stagecraft than he ...
... producers , and even sometimes by scholars , that there are many different ways of presenting Shakespeare and every ... producer , in approaching one or other of the plays , to assume that Shakespeare knew more about stagecraft than he ...
Page 151
... producer must here seek some expert elucidation of the Elizabethan social background.131 Falstaff himself suffers if producer and actor have not a firm concep- tion of his social status , if the actor is hail - fellow - well - met with ...
... producer must here seek some expert elucidation of the Elizabethan social background.131 Falstaff himself suffers if producer and actor have not a firm concep- tion of his social status , if the actor is hail - fellow - well - met with ...
Page 316
... producer : only he must by implication subordinate his own imagination to that of Shakespeare himself . To follow his lead is , as I know by experience , an exhilarating adventure . Stand in imagination — since you cannot in reality ...
... producer : only he must by implication subordinate his own imagination to that of Shakespeare himself . To follow his lead is , as I know by experience , an exhilarating adventure . Stand in imagination — since you cannot in reality ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised