On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 155
... present to his imagination than their personal names . 148 If this is true , then the same general attitude to the characterisation should be present in the mind of a producer , and through him communicate itself to the actors . A ...
... present to his imagination than their personal names . 148 If this is true , then the same general attitude to the characterisation should be present in the mind of a producer , and through him communicate itself to the actors . A ...
Page 273
... present in the opening dialogue . Iago's speeches are an excellent example of the new conciseness ; as a good speaker delivers them , we get much more than plain sense from them ; they breed drama by poetical means : one specimen must ...
... present in the opening dialogue . Iago's speeches are an excellent example of the new conciseness ; as a good speaker delivers them , we get much more than plain sense from them ; they breed drama by poetical means : one specimen must ...
Page 275
... present investigation takes the form of some production notes on Macbeth . I choose this play not only because I have twice produced it in conditions approximating to those of the Globe , but also as a sustained example of Shakespeare's ...
... present investigation takes the form of some production notes on Macbeth . I choose this play not only because I have twice produced it in conditions approximating to those of the Globe , but also as a sustained example of Shakespeare's ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised