On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 103
... practice leads to much confusion and a fundamental misunderstanding of Shakespeare's stagecraft . 2244 A kindred belief which also dies hard suggests that it was the regular practice in the playhouse to indicate the whereabouts of each ...
... practice leads to much confusion and a fundamental misunderstanding of Shakespeare's stagecraft . 2244 A kindred belief which also dies hard suggests that it was the regular practice in the playhouse to indicate the whereabouts of each ...
Page 175
... Practice To recapitulate this chapter on the acting tradition of the Chamberlain's Men , we may now attempt a detailed illustration of the method in practice . What did the Chamberlain's Men do ? This is the question we must ask ...
... Practice To recapitulate this chapter on the acting tradition of the Chamberlain's Men , we may now attempt a detailed illustration of the method in practice . What did the Chamberlain's Men do ? This is the question we must ask ...
Page 304
... practice of resting the chief actor ( and his audience ) round about the fourth act of a tragedy . Othello is the only one of Bradley's " big four " that does not follow this practice - and the only one that does not sag a little at ...
... practice of resting the chief actor ( and his audience ) round about the fourth act of a tragedy . Othello is the only one of Bradley's " big four " that does not follow this practice - and the only one that does not sag a little at ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised