On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 44
... plays - with their habitual shifting of the locality and circumstances - solid furniture would be allowed to rest on the Platform throughout the performance of a play . Yet here it must be insisted once again that the practical test is ...
... plays - with their habitual shifting of the locality and circumstances - solid furniture would be allowed to rest on the Platform throughout the performance of a play . Yet here it must be insisted once again that the practical test is ...
Page 155
... plays not only for a particular playhouse but also for a particular company of players , and that , as Baldwin says , " the play was regularly fitted to the company , not the company to the play " 149 It follows that , if the cast ...
... plays not only for a particular playhouse but also for a particular company of players , and that , as Baldwin says , " the play was regularly fitted to the company , not the company to the play " 149 It follows that , if the cast ...
Page 266
... play makes no direct or implied reference to the pervading theme . One may say , perhaps , that it is immanent in the situation and that the poet knows when to leave it unstated . One may also perhaps confess that the winding - up of ...
... play makes no direct or implied reference to the pervading theme . One may say , perhaps , that it is immanent in the situation and that the poet knows when to leave it unstated . One may also perhaps confess that the winding - up of ...
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Common terms and phrases
acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised