On Producing ShakespeareM. Joseph, 1950 - 335 pages |
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Page 16
... perhaps was one of the contributory causes of Shakespeare's giving up his association with the theatre . The last period — the period of the so - called romances - examined from this point of view , is worth a separate study . Meanwhile ...
... perhaps was one of the contributory causes of Shakespeare's giving up his association with the theatre . The last period — the period of the so - called romances - examined from this point of view , is worth a separate study . Meanwhile ...
Page 157
... Perhaps the substitution of Lowin for Pope ( as also of Armin for Kemp ) was a contributory factor in Shakespeare's change of tone . But it is essentially the same " line " as Pope's , and it is interesting to find Iago and Enobarbus in ...
... Perhaps the substitution of Lowin for Pope ( as also of Armin for Kemp ) was a contributory factor in Shakespeare's change of tone . But it is essentially the same " line " as Pope's , and it is interesting to find Iago and Enobarbus in ...
Page 266
... perhaps , that it is immanent in the situation and that the poet knows when to leave it unstated . One may also perhaps confess that the winding - up of the sub - plot of the play is protracted and sometimes clumsy , and , with ...
... perhaps , that it is immanent in the situation and that the poet knows when to leave it unstated . One may also perhaps confess that the winding - up of the sub - plot of the play is protracted and sometimes clumsy , and , with ...
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acting action actors Alarum Antony and Cleopatra appearance atmosphere audience Baldwin Banquo battle Brutus Burbadge Casca Cassius Chamber Chamberlain's character climax comedy Cranford Adams Desdemona dialogue door doth dramatic dramatist E. K. Chambers E. M. W. Tillyard effect Elizabethan entry example eyes Falstaff Folio furniture give Globe Playhouse Gloucester Granville-Barker Hamlet Heavens Heminges Henry Henry IV Henry VI Hotspur Iago Iago's imagery imagination Julius Caesar Kent King John King Lear Lady Macbeth lines looke Lord Macduff Measure for Measure Merchant of Venice Midsummer Night's Dream miming modern murder opening Othello perhaps play players plot poet poet's poetic drama rhythm Richard Richard III Romeo and Juliet says scene Scene-Rotation seems sequence Shake Shakespeare soliloquy speaks speech stage Stage-Posts stagecraft Study and Platform Study curtains suggests Tarras theatre thee theme thou Tiring-House Troilus and Cressida Twelfth Night unlocalised